Showing posts with label Western. Show all posts
Showing posts with label Western. Show all posts

Sunday, June 29, 2025

Reckoning at High Noon -- a Tale of the Old West by Miller


Reckoning at High Noon
By Steve Miller

The sun hung mercilessly overhead like a blazing eye, casting harsh shadows across the dusty main street of Perdition Creek. The wooden buildings seemed to wilt under the relentless heat, their weathered facades bleached nearly white by years of desert punishment. Not a soul stirred in the silence—save for two figures standing at opposite ends of the street, their hands hovering near the worn grips of their six-shooters.

Jake "Iron Hand" Morrison stood at the eastern end of the street, his weathered duster coat hanging loose around his lean frame. His steel-gray eyes were fixed on the man sixty paces away, and his jaw was set with the kind of determination that came from a lifetime of hard choices and harder consequences. The silver star pinned to his vest caught the sunlight, but today he wasn't here as a lawman. Today, this was personal.

At the western end, "Black Jack" Donovan cut an equally imposing figure. His dark hat was pulled low over his eyes, casting his scarred face in shadow. The twin Colts at his hips had seen more action than most men saw in a lifetime, and the notches carved into their handles told a grim story of their own. He spat into the dust and adjusted his stance, his spurs jingling softly in the oppressive silence.

The few townspeople who had been brave enough to venture onto the street moments before had scattered like tumbleweeds in a windstorm. Shutters slammed shut with sharp cracks that echoed off the buildings. Children were yanked inside by worried mothers, and even the saloon doors had stopped their lazy swinging. The only witnesses to what was about to unfold were the buzzards circling high overhead, as if they already knew how this would end.

"You got some nerve showing your face in this town, Donovan," Morrison called out, his voice carrying clearly across the distance. "After what you did to Marybelle, I figured you'd have the decency to keep riding."

Black Jack's laugh was harsh and bitter. "What I did? You're the one who broke that sweet girl's heart, Morrison. Left her crying on her front porch while you rode off to play hero in some other town."

"I came back for her," Morrison shot back, his hand inching closer to his gun. "Found you sniffing around her like some mangy dog. She's too good for the likes of you."

"Too good for either of us, apparently," Donovan replied, his own hand moving to rest on his gun butt. "But at least I never made her promises I couldn't keep."

The tension stretched between them like a taut wire, ready to snap at the slightest provocation. This wasn't about money or territory—this was about a woman who had somehow managed to capture both their hearts, and neither was willing to step aside.

"She deserves better than a two-bit outlaw with blood on his hands," Morrison said, his voice dropping to a dangerous growl.

"And she deserves better than a tin star who thinks his badge makes him God's gift to womankind," Donovan fired back.

The church bell began to toll, marking the noon hour. Each chime seemed to echo through the empty street like a countdown to violence. One... two... three... The sound reverberated off the buildings and faded into the desert beyond, leaving only the whisper of wind through the sage brush.

Morrison's fingers flexed near his holster. "I'm going to put you down like the rabid dog you are, Donovan. Marybelle will thank me for it."

"The only thing getting put down today is your reputation, lawman," Donovan snarled. "I'm going to send you to meet your maker, and then maybe Marybelle will see what kind of man she's been pining for."

Both men tensed, their bodies coiled like springs ready to release. The slightest movement, the smallest provocation, would send them both reaching for iron. The desert held its breath, waiting for the thunder of gunfire that would shatter the oppressive silence.

But then another voice cut through the tension—a woman's voice, high and desperate with emotion.

"Stop! Please, both of you, just stop!"

Marybelle Sinclair came running from the direction of the general store, her blue dress billowing behind her as she moved. Her auburn hair had come loose from its pins and streamed behind her like a banner. Tears streaked down her cheeks, and her green eyes were wide with fear and desperation.

"Don't do this!" she cried, coming to a halt about halfway between the two men. "Please, I'm begging you both—don't hurt each other!"

Morrison's hand froze inches from his gun. "Marybelle, get back inside. This doesn't concern you."

"Doesn't concern me?" she said, her voice rising with indignation even through her tears. "You're both standing here ready to kill each other, and you say it doesn't concern me? When you're both claiming it's about me?"

Donovan's stance relaxed slightly, but his hand remained near his weapon. "Marybelle, honey, you don't understand. This man doesn't deserve you. He'll just hurt you again."

"And you won't?" she shot back, whirling to face him. "You think I don't know about the women in every town between here and El Paso? You think I don't hear the stories?"

Both men looked stung by her words, but neither backed down. Morrison took a step forward. "Marybelle, I know I made mistakes, but I came back. I came back for you."

"You came back because you heard Jack was courting me," she said, her voice breaking. "You came back because you couldn't stand the thought of someone else having what you threw away."

The truth of her words hung in the air like smoke from a gunshot. Morrison's face flushed red beneath his tan, and Donovan's jaw tightened. But still, neither man moved away from his position.

"This has gone too far," Morrison said grimly. "One of us has to settle this, Marybelle. A town isn't big enough for both of us, not when we both want the same thing."

"The same thing?" Marybelle's voice rose to nearly a shout. "I'm not a thing to be won or lost! I'm not some prize in your stupid masculine contest!"

She looked back and forth between them, her chest heaving with emotion. When it became clear that neither man was going to back down, that they were both still prepared to draw their weapons and settle this with violence, something seemed to break inside her.

"Fine," she said, her voice suddenly calm and cold. "If you're both so determined to fight over me, then let me save you the trouble."

Before either man could react, Marybelle lifted her skirts and ran directly into the middle of the street, positioning herself exactly between the two gunfighters. She spread her arms wide, creating a human barrier that neither man could shoot past without risking hitting her.

"Marybelle, no!" Morrison shouted. "Get out of the way!"

"Are you insane?" Donovan yelled. "You could get killed!"

But Marybelle stood her ground, her chin raised defiantly. "Then maybe that will finally get through your thick skulls. Maybe if you see what your foolish pride could cost, you'll finally understand."

For a long moment, the three of them stood frozen in tableau—two men with their hands on their guns, and a woman standing between them with her arms outstretched like a scarecrow in a cornfield. The wind picked up, swirling dust around their feet and tugging at Marybelle's dress.

"You want to know the truth?" Marybelle said, her voice carrying clearly in the desert air. "You want to know what this is really about? It's not about honor. It's not about protecting me. It's about your own wounded pride, both of you."

She turned to face Morrison first. "Jake, you left me without a word. You rode out of town chasing some outlaw, and I didn't hear from you for six months. Six months of wondering if you were alive or dead, if you were ever coming back, if what we had meant anything to you at all."

Morrison's face crumpled. "Marybelle, I—"

"I'm not finished," she cut him off. "And then Jack came along, and he was kind to me. He listened to me. He made me laugh when I thought I'd forgotten how. But you know what? He's just as bad as you are, in his own way."

She whirled to face Donovan. "You think I don't know about your reputation? You think I don't know that you've never stayed in one place longer than a few months? You were already planning to leave, weren't you, Jack? You were just waiting for the right moment to break it to me gently."

Donovan's face went pale beneath his tan. "That's not... I mean, I never said..."

"You never said a lot of things," Marybelle replied. "Just like Jake never said a lot of things. You're both so busy trying to be the strong, silent type that you forget to actually communicate with the people you claim to care about."

The two men exchanged glances over her head, and for the first time, there was something other than hostility in their eyes. There was recognition, and perhaps even a grudging respect for the woman standing between them.

"But you know what the real truth is?" Marybelle continued, her voice growing stronger. "I'm tired of both of you. I'm tired of being treated like a prize to be won instead of a person to be loved. I'm tired of men who think they know what's best for me without ever bothering to ask what I want."

She paused, taking a deep breath before delivering her final blow. "I'm leaving Perdition Creek. Tomorrow morning, I'm taking the train to San Francisco with Emily Tate. We're going to start a new life there, away from all this... this masculine nonsense."

The announcement hit both men like physical blows. Morrison actually staggered backward a step, and Donovan's hand fell away from his gun entirely.

"You can't be serious," Morrison said weakly.

"San Francisco?" Donovan echoed. "With Emily Tate?"

As if summoned by the mention of her name, Emily Tate appeared at the edge of the street. She was a small, delicate woman with dark hair and intelligent brown eyes, and she moved with the careful grace of someone who was used to being overlooked. She had been the town's schoolteacher for three years, and while she was well-liked and respected, she had always kept to herself.

"Emily?" Morrison called out, confusion evident in his voice. "What's this about?"

Emily stepped carefully into the street, her hands clasped in front of her. She was clearly nervous, but there was a determination in her bearing that hadn't been there before. "It's about friendship, Mr. Morrison. It's about two women who are tired of waiting for their lives to begin."

She walked slowly toward Marybelle, never taking her eyes off the two gunfighters. "It's about realizing that sometimes the person who understands you best isn't the person you expected."

When Emily reached Marybelle's side, something extraordinary happened. Marybelle turned toward her, and their eyes met with an intensity that made both men take an involuntary step backward. There was something in that look—a depth of understanding and connection that went far beyond mere friendship.

"Are you sure about this?" Emily asked softly, though her voice carried clearly in the still air.

"I've never been more sure of anything in my life," Marybelle replied.

And then, to the complete shock of everyone watching—including the townspeople who had begun to peer cautiously out of windows and doorways—Marybelle reached out and took Emily's face gently in her hands. Their lips met in a kiss that was tender and passionate and completely unashamed.

The kiss lasted only a few seconds, but it seemed to stretch on forever. When they finally broke apart, both women were smiling through their tears. They turned to face the two stunned gunfighters, their arms linked together in a gesture of solidarity and defiance.

"This is why we're leaving," Marybelle said simply. "This is what we've both been searching for, and we found it in each other."

Morrison and Donovan stood frozen, their minds struggling to process what they had just witnessed. All their assumptions about Marybelle, about what she wanted, about what they were fighting for, had just been turned upside down.

"I don't understand," Morrison said finally.

"You don't have to understand," Emily replied, her voice stronger now. "You just have to accept it."

Marybelle nodded. "We're not asking for your approval or your blessing. We're just asking that you don't hurt each other over something that was never really about either of you in the first place."

She looked back and forth between the two men, her expression softening slightly. "I did care for both of you, in different ways and at different times. But what Emily and I have... it's something neither of you could ever give me, because it's not something that can be given. It's something that has to be shared."

The two women began to walk away, their arms still linked, their heads held high. But after a few steps, Marybelle turned back one last time.

"Please," she said, and there was genuine concern in her voice. "Please don't hurt each other. You're both good men, in your own ways. You both deserve to find happiness, but you're not going to find it by trying to kill each other in the middle of Main Street."

With that, she and Emily continued their walk, heading toward the boarding house where Emily lived. Their footsteps echoed off the buildings, growing fainter as they moved away from the two men who stood like statues in the dusty street.

For a long time after the women disappeared from view, Morrison and Donovan remained frozen in their positions. The sun continued to beat down mercilessly, and the wind continued to stir the dust around their feet, but neither man moved or spoke.

Finally, it was Donovan who broke the silence. "Well," he said, his voice hoarse with shock and something that might have been laughter. "That's not exactly how I saw this playing out."

Morrison slowly let his hand fall away from his gun. "You and me both, partner."

They looked at each other across the empty street, and suddenly the animosity that had brought them to this confrontation seemed almost absurd. They had been ready to kill each other over a woman who had just made it crystal clear that she wasn't interested in either of them—and for reasons that had nothing to do with their respective shortcomings as men.

"I could use a drink," Morrison said finally.

"Make that several drinks," Donovan replied.

They began walking toward each other, meeting in the middle of the street where Marybelle had made her stand just minutes before. Up close, they could see the lines of weariness and disappointment in each other's faces, and perhaps they recognized something of themselves in their former enemy.

"The Silver Dollar?" Morrison asked, nodding toward the saloon.

"Sounds good to me," Donovan agreed.

As they walked side by side toward the saloon, Morrison glanced sideways at his companion. "You know, I always heard you were a straight shooter, despite everything else."

"And I always heard you were a man of your word, even if you were a bit too fond of that badge," Donovan replied.

They pushed through the batwing doors of the Silver Dollar, and the few patrons inside looked up in amazement. Word of the confrontation had spread quickly, and everyone had expected to hear gunshots by now. Instead, here were the two antagonists, walking in together like old friends.

"Whiskey," Morrison said to the bartender. "The good stuff."

"Make that a bottle," Donovan added, settling onto a barstool beside him.

The bartender, a grizzled man named Pete who had seen just about everything in his forty years behind the bar, poured two generous glasses without comment. He had learned long ago that sometimes the best service was silent service.

Morrison raised his glass. "To Marybelle Sinclair," he said. "May she find what she's looking for in San Francisco."

"To Marybelle and Emily," Donovan corrected, clinking his glass against Morrison's. "May they both find what they're looking for."

They drank in silence for a while, each lost in his own thoughts. The whiskey was smooth and warming, and gradually the tension began to drain out of their shoulders and their faces.

"You know," Morrison said eventually, "I think I owe you an apology."

"How's that?"

"I called you a two-bit outlaw with blood on your hands. That wasn't fair. I've heard the stories about you—the real stories, not the dime novel nonsense. You've never killed a man who didn't have it coming."

Donovan considered this. "And I called you a tin star who thinks his badge makes him God's gift to womankind. That wasn't fair either. You've put your life on the line for people who couldn't protect themselves. That counts for something."

They drank again, and the silence that followed was more comfortable than the one before.

"Can I ask you something?" Morrison said.

"Shoot."

"Did you see that coming? With Marybelle and Emily, I mean."

Donovan thought about it for a long moment. "You know, looking back, there were signs. The way they looked at each other when they thought no one was watching. The way Emily always seemed to find excuses to visit Marybelle. The way Marybelle lit up whenever Emily was around, in a way that was different from... well, different from how she was with either of us."

Morrison nodded slowly. "I was so focused on seeing you as the competition that I never stopped to consider that maybe the real competition was someone I never even thought of as competition at all."

"Makes you think, doesn't it?" Donovan said. "About how much we assume we know about people, about what they want, about what's best for them."

"Marybelle was right about one thing," Morrison admitted. "We were fighting over our own wounded pride more than we were fighting for her. If we'd really been thinking about what was best for her, we would have asked her what she wanted instead of assuming we knew."

Donovan poured them both another drink. "So what now? You going back to whatever town you were sheriffing in before you came here?"

Morrison shook his head. "I resigned my position when I decided to come back for Marybelle. Figured I'd settle down here, maybe start a family." He laughed bitterly. "Guess that plan's shot to hell."

"What about you?" Morrison asked. "You were planning to move on anyway, weren't you?"

Donovan was quiet for a long time. "I've been moving on for so long, I'm not sure I remember how to stay put. But maybe... maybe it's time I learned."

"Perdition Creek could use a good deputy," Morrison said thoughtfully. "The sheriff here is getting on in years, the town's been growing, and, oh yeah, the Mayor offered me the position if I help out the old coot until he retires. Could probably use some help keeping the peace."

"You offering me a job, Morrison?"

"Jake. And yeah, I guess I am. If you're interested."

Donovan—Jack—extended his hand. "Partners?"

Jake shook it firmly. "Partners."

Outside, the sun was beginning its slow descent toward the western horizon, painting the sky in shades of orange and gold. The crisis that had brought two men to the brink of violence had passed, resolved not through gunfire, but through the courage of two women who refused to let masculine pride destroy the people they cared about.

Tomorrow morning, the train would carry Marybelle Sinclair and Emily Tate toward their new life in San Francisco. They would face challenges there, but they would face them together.

And in the Silver Dollar Saloon, two former enemies continued to drink and talk, discovering they had more in common than either had expected. They talked about the places they had been, the mistakes they had made, and the future—and for the first time in a long time, both men felt like they might actually have one worth looking forward to.

By the time Pete announced last call, Jake Morrison and Jack Donovan had become something neither had expected when they faced each other in the dusty street at high noon: they had become friends.

Friday, December 9, 2016

God Rest Ye Merry Gentlemen & A Christmas Western by R.E. Howard

Enjoy some Christmas music and an early short story by Robert E. Howard (written and published when he was still in high school). It's a Very Western Christmas today at NUELOW Games!












GOLDEN HOPE CHRISTMAS
By Robert E. Howard

Chapter 1
Red Ghallinan was a gunman. Not a trade to be proud of, perhaps, but Red was proud of it. Proud of his skill with a gun, proud of the notches on the long blue barrel of his heavy .45s. Red was a wiry, medium-sized man with a cruel, thin lipped mouth and close-set, shifty eyes. He was bow-legged from much riding, and, with his slouching walk and hard face he was, indeed, an unprepossessing figure. Red’s mind and soul were as warped as his exterior. His insister reputation caused men to strive to avoid offending him but at the same tome to cut him off from the fellowship of people. No man, good or bad, cares to chum with a killer. Even the outlaws hated him and feared him too much to admit him to their gang, so he was a lone wolf. But a lone wolf may sometimes be more feared than the whole pack.
   Let us not blame Red too much. He was born and reared in an environment of evil. His father and his father’s father had been rustlers and gun-fighters. Until he was a grown man, Red knew nothing but crime as a legitimate way of making a living and by the time he learned that a man may earn a sufficient livelihood and still remain within the law he was too set in his ways to change. So it was not altogether his fault that he was a gunfighter. Rather, it was the fault of those unscrupulous politicians and mine-owners who hired him to kill their enemies. For that was the way Red lived. He was a born gun-fighter. The killer instinct burned strongly in him—the heritage of Cain. He had never seen the man who surpassed him or even equalled him in the speed of the draw or in swift, straight shooting. These qualities together with the cold nerve and reckless bravery that goes with red hair, made him much in demand with rich men who had enemies. So he did a large business.
    But the forefront of the law began to come into Idaho and Red saw with hate the first sign of that organization which had driven him out of Texas a few years before—the vigilantes. Red’s jobs became fewer and fewer for he feared to kill unless he could make it appear self-defense.
    At last it reached a point where Red was faced with the alternative of moving on or going to work. So he rode over to miner’s cabin and announced his intention of buying the miner’s claim. The miner, after one skittish glance at Red’s guns, sold his claim for fifty dollars, signed the deed and left the country precipitately.
    Red worked the claim for a few days and then quit in disgust. He had not gotten one ounce of gold dust. This was due, partly to his distaste for work, partly to his ignorance of placer mining and mostly to the poorness of the claim.
     He was standing in the front door of the saloon of the mining town, when the stage-coach drove in and a passenger alit.
    He was a well built, frank-appearing young fellow and Red hated him instinctively. Hated him for his cleanliness, for his open, honest, pleasant face, because he was everything that Red was not.
    The newcomer was very friendly and very soon the whole town knew his antecedents. His name was Hal Sharon, a tenderfoot from the east, who had come to Idaho with the hopes of striking a bonanza and going home wealthy. Of course there was a girl in the case, though Hal said little on that point. He had a few hundred dollars and wanted to buy a good claim. At this Red took a new interest in the young man.
    Red bought drinks and lauded his claim. Sharon proved singularly trustful. He did not ask to see the claim but took Red’s word for it. A trustfulness that would have touched a less hardened man than Red.
    One or two men, angered at the deliberate swindle, tried to warn Hal but a cold glance from Red caused them to change their minds. Hal bought Red’s claim for five hundred dollars.
    He toiled unceasingly all fall and early winter, barely making enough to keep him in food and clothes, while Red lived in the little town and sneered at his uncomplaining efforts. As winter deepened, everywhere the miners stopped work and came to town to live until the snow should have melted and the ground thawed out in the spring. Only Hal Sharon stayed at his claim, working on in the cold and snow, spurred on by the thought of riches—and a girl.
--




It was a little over three weeks until Christmas when, one cold night Red Ghallinan sat by the stove in the saloon and listened to the blizzard outside. He though to Sharon, doubtless shivering in his cabin up on the slopes, and he sneered. He listened idly to the talk of the miners and cow-punchers who were discussing the coming festivals, a dance and so on.
    Christmas meant nothing to Red. Though the one bright spot I his life had been one Christmas years ago when Red was a ragged waif, shivering on the snow covered streets of Kansas City.
    He had passed a great church and, attracted by the warmth, had entered timidly. The people had sung, “Hark, the Herald Angels Sing!” and when the congregation exited, an old, white haired woman had seen the boy and had taken him home and fed him and clothed him. Red had lived in her home as one of the family until spring, but when the wild geese began to fly north and the trees began to bud, the wanderlust got into the boy’s blood and he ran away and came back to his native Texas prairies. But that was years ago and Red never thought of it now.
    The door flew open and a furred and muffled figure strode in. It was Sharon—his hands shoved deep in his coat pockets.
    Instantly Red was on his feet, hand twisting just above a gun. But Hal took no notice of him. He pushed his way to the bar.
    “Boys,” he said: “I named my claim the Golden Hope, and it was a true name! Boys, I’ve struck it rich!”
    And he threw a double handful of nuggets and gold-dust on the bar.


--




Christmas Eve Red stood in the door of an eating house and watched Sharon coming down the slope, whistling merrily. He had a right to be merry. He was already worth twelve thousand dollars and had not exhausted his claim by half. Red watched with hate in his eyes. Ever since the night that Sharon had thrown his first gold on the bar, his hatred of the man had grown. Hal’s fortune seemed a personal injury to Red. Had he not worked like a slave on that claim without getting a pound of gold? And here this stranger had come and gotten rich off the same claim! Thousands to him, a measly five hundred to Red. To Red’s warped mind this assumed monstrous proportions—an outrage. He hated Sharon as he had never hated a man before. And since with him to hate was to kill, he determined to kill Hal Sharon. With a curse he reached for a gun when a thought stayed his hand. The Vigilantes! They would get him sure if he killed Sharon openly. A cunning light came to his eyes and he turned and strode away toward the unpretentious boarding house where he stayed.
    Hal Sharon walked into a saloon.
    “Seen Ghallinan lately?” he asked.
    The bartender shook his head.
    Hal tossed a bulging buck-sack on the bar, and said: “Give that to him when you see him. It’s got about a thousand dollars worth of gold-dust in it.”
    The bartender gasped. “What! You giving Red a thousand bucks after he tried to swindle you? Yes, it is safe here. Ain’t a galoot in camp touch anything belonging to a gun-fighter. But say—“
    “Well,” answered Hal, “I don’t think he got enough for his claim; he practically gave it to me. And anyway, “ he laughed over his shoulder, “It’s Christmas!”



Chapter 2
Morning in the mountains. The highest peaks touched with a delicate pink. The stars paling as the darkness grew grey. Light on the peaks, shadow still in the valleys, as if the paint brush of the Master had but passed lightly over the land, coloring openly the highest places, the places nearest to Him. Now the light-legions began to invade the valleys, driving before them the darkness; the light on the peaks grew stronger, the snow beginning to cast back the light. But as yet no sun. The king had sent his courtiers before him but he himself had not appeared.
    In a certain valley, smoke curled from the chimney of a rude log cabin. High on the hillside, a man gave a grunt of satisfaction. The man lay in a hollow, from which he had scraped the drifted snow. Ever since the first hint of dawn, he had lain there, watching the cabin. A heavy rifle lay beneath his arm.
    Down in the valley, the cabin door swung wide and a man stepped out. The watcher on the hill saw that it was the man he had come to kill.
    Hal Sharon threw his arms wide and laughed aloud in the sheer joy of living. Up on the hill, Red Ghallinan watched the man over the sights of a Sharpe .50 rifle. For the first time he noticed what a magnificent figure the young man was. Tall, strong, handsome, with the glow of health on his cheek.
    For some reason Red was not getting the enjoyment he thought he would. He shook his shoulders impatiently. His finger tightened on the trigger—suddenly Hal broke into song; the words floated clearly to Red.
    “Hark, the Herald Angels Sing!”
    Where had he heard that song before? Suddenly a mist floated across Red Ghallinan’s eyes; the rifle slipped unnoticed from his hands, He drew his hand across his eyes and looked toward the east. There, alone hung one great star and as he looked, over the shoulder of a great mountain came the great sun.
    “Gawd!” gulped Red, why—it is Christmas!”

--
If you enjoyed that story, written by Robert E. Howard when he was just a teenager, you'll love the westerns he wrote when his skills were at their sharpest. Check out The Last Ride from NUELOW Games.

Tuesday, July 28, 2015

Join us for the last ride with Robert E. Howard

When NUELOW Games came back to full life in 2011, one of the long-term projects we formulated involved a series of anthologies throwing the spotlight on the under-appreciated and widely ignored non-fantasy writings of Robert E. Howard. Initially, it was just going to be his historical fiction and the best of his horror stories. However, as we dug deeper into his body of work, we decided to add collections of the Sailor Steve Costigan and Breckinridge Elkins stories to line-up.

The final entry in our series of anthologies was always planned to be The Last Ride, a collection of two novellas that saw print in the months after Howard's suicide in June of 1936. They, together with the El Borak stories we collected in Oriental Stories Vol 3: A Texan in Afghanistan, and the horror stories in Shadows over Texas, show readers the direction in which he was headed creatively. All signs point to Howard moving in a direction of more mainstream literature, a direction that would have seen him leave the pulps behind. If he had lived, maybe we'd be discussing Howard as one of the great Regional or Southern Gothic writers instead of "the creator of Conan." Heck, maybe we'd be talking about the Southwestern Gothic literary subgenre?

Art by Rocco Mastroserio 
Regardless of what could have been, The Last Ride represents the end for Howard, and the end of our anthology series. It brings our project to an end on a high note, with stories that Howard probably would have far preferred to be remembered for than the Conan and Solomon Kane tales. We hope that some of you reading this found some new favorite Howard stories over the past few years... and we hope you'll come with us as we reach the end of the trail.

Click here to see previews of The Last Ride, or to get your own copy.

By the way, while this may be the end of the Robert E. Howard Collection Project, it doesn't mean that NUELOW Games is completely done with Howard's writings and characters; we love them too much for that. There are numerous smaller projects (similar to, for example, The SheikThe Conquests of Wild Bill Clanton, and the Talk Like a Pirate Day Special) that we are planning to do. Our hope to call attention to the fact that Robert E. Howard's body of work is so much greater than Conan doesn't end just because the project has.

Friday, August 10, 2012

New fiction collection from NUELOW Games!

The Misadventures of Breckinridge Elkins is the latest addition to NUELOW Games's ongoing exploration of the lesser-known works of the great Robert E. Howard.


This time, Robert E. Howard Collection-series editor Steve Miller offers an assortment of Howard's madcap humor tales from the wildest corner of the wild west... stories Howard wrote late in his career that were written as much for love as they were for money.

If you enjoyed Shanghaied Mitts or Fists of Foolishness, you'll be laughing out loud at The Misadventures of Breckinridge Elkins.

Even L.L. Hundal, who is usually lukewarm toward Howard's writings, loves the Breckinridge Elkins stories!

For more information and a preview, or to download a pdf copy for just $2.50, click here.