Sunday, August 23, 2020

Who Killed the Family?

Theo Botty, his wife Karen, and their beautiful little girl Siri, have been found brutally slain. It's up to the player characters to figure out who committed these heinous murders and bring them to justice. And it's up the GM to lay out the "Mystery of Who Killed the Family" by using random tables as a starting point.

Art by Frank Godwin

"Who Killed the Family?" is the latest in our Random Murder Mystery post series. Roll 1d8 against the tables below to generate an outline of a mystery adventure. (If you think results are contradictory, you can either re-roll or use the apparent contradiction as a way to deepen the mystery--or perhaps even both. For example, if the family was drowned but found in the backyard, they must either have been killed elsewhere and brought back home, or there is an even greater mystery in the method of their killing to be explored and revealed.)


WHO KILLED THE FAMILY?
Roll 1d8 on each of the following tables.

WHERE WERE THEY FOUND?
1. The Family Room
2. The Kitchen
3. The Backyard
4. The Garden Shed
5. The Campsite
6. The Park
7. The Beach
8. Roll twice on the table, rerolling additional results of 8. 
    The first result is where the bodies were found. The second 
     result is where they were actually killed.


HOW WERE THEY KILLED?
1. Poisoned
2. Shot (roll 1d6 for each family member to see how many times)
3. Throats Slit
4. Garroted
5. Bludgeoned
6. Stabbed (roll 1d6 for each family member to see how many times)
7. Roll three more times on the table, ignoring and re-rolling results of 7. 
    Each member of the family was killed in the way indicated.
8. Roll three more times. For each additional 8 that is rolled, the victim 
     was found barely alive and saved. Re-roll to determine how the victim
     was attacked. The killer will make another attempt at killing the survivor.


WHO KILLED THEM?
1. The Priest
2. The Schoolteacher
3. The Brother-in-Law
4. The Husband's Lover
5. The Wife's Lover
6. The Co-Worker
7. The Neighbor
8. Roll two more times, ignoring and re-rolling additional results of 8. 
    The first roll is the killer while the second roll is an innocent person that 
    he or she has framed for the murders. If the same killer is rolled twice, 
    he or she is a serial killer. An additional family will die every three nights 
    until the player characters put a stop to the carnage.


WHY WERE THEY KILLED?
1-2. Hatred
3. Revenge
4. As a sacrifice to an evil god. (1-4. The god is real. 5-8. The god exists 
    only in the diseased mind of the killer.)
5. As a demonstration to show others to not 1-2. leave the Cult of the Dark 
    One; 3-4. steal from the Melendez Cartel; 5-6. threaten to expose the 
    secret cabal of evil Immortals that are the true power; 7-8. try to expose 
    a ring of pedophiles that consist of very powerful and rich people.
6. To stop the parents from revealing the existence of the Alien Overlords 
     (which 1-4 are real, 5-8 exist only on the murderer's sick mind).
7-8. To end the blackmail the parents were engaging in.


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If you liked this post, you'll love Murder Most Random, a collection of 12 different random murder mystery generators. Click here to get a copy. The more we sell, the more we're encouraged to make more!

Friday, August 14, 2020

Bessie Love and the Silver Key (for d20 System and D&D compatible games)

Film historians and lovers of silent movies remember Bessie Love as a petite and radiant star who lit up the screen every time she appeared. However, she led a secret life that few ever knew about, and even fewer could ever imagine. 

   For 25 years, from 1925 until 1950, Bessie Love traveled throughout the world, battling all manner of supernatural evil, from worshipers of the Elder Gods through vampire cults and even a few demon-possessed would-be arch mages. She performed her heroics under the code-name Love Bug, and she typically wore a set of artifacts that gave her an edge in her battles, but sometimes she relied on her charm, wit, and unfailing courage to carry her through... and a pair of large sunglasses and a wide-brimmed hat to hid her identity. (Click here to read about how Bessie Love became the Love Bug.)

In this post, we unveil Bessie's involvement with strange happenings that were famously fictionalized in short stories by H.P. Lovecraft and E. Hoffmann Price. (As always, we translate this material for use in d20 System games, our own way of fictionalizing the fantastic.)


BESSIE LOVE AND THE SILVER KEY
By late 1932, Bessie Love had all but abandoned her acting career and had thrown herself completely into the battle against supernatural evils. She spent a few weeks in March of 1933 doing nothing but pouring through notes and a diary that had belonged to an evil sorcerer she had defeated, and she found repeated references to a house on the outskirts of Boston, Mass. that was either haunted or the location of magical gateways to other worlds. 
   The papers chronicled Archmage Alain Cartier, who fled from France to America during the 1690s and changed their name to Carter. Over the past two hundred years, the sprawling Carter family home and estate had been the sight of many strange events, which the sorcerer attributed to residual effects from summoning performed by the Carters, or to full-fledged gateways to other dimensions and the realms of Elder Gods. Within the past ten years, the most recent heir to the family fortune, Randolph Carter, had mysteriously vanished in 1922; people residing in the house had likewise vanished or suffered mental breakdowns, including associates of the sorcerer who had gone to investigate the house; and a reading of Randolph Carter's will in 1927 had been violently interrupted by some thing.
   After reaching out to the lawyers managing Carter's estate under an alias, Bessie traveled to Boston, spent a few nights in the house, and searched it using Dimond's Compass, an artifact she had acquired during a previous adventure that points toward the most powerful magical item or source in the general vicinity. When she first started using it in the structure, she thought either the entire manse was magical or the device was not working properly. She soon realized that several of the home's doors were enchanted, and with that awareness, she was able to locate a powerful magical artifact in the master bedroom--a key that had fallen behind a set of dresser drawers in the master bedroom.
  The key was a silver skeleton key that was six inches long, with a bow nearly the size of Bessie's palm that was shaped like an oddly tangled arabesque design. Resolving to start researching how this key might connect to the magic in the house, Bessie intended to spend one more night in the Carter House. As she slept, she had a strangely vivid dream. In it, she was on a windswept cliff, gazing down upon a sprawling city of domed palaces and twisting spires. Overhead was a sky that swirled with ever-changing, vibrant colors. A robed and hooded figure stood next to her, nothing but inky shadows within the hood where his face should be, and he held the silver key she had found in his gloved left hand. He handed her the key, stating that it would unlock portals that opened to other times and dimensions, and warned her that just as she could pass through to those other places, so could the beings dwelling there come through to our realm.
   When she woke up that morning, Bessie felt certain that her dream had been caused by her finding the silver key. She took it to one of the magical doors in the house and saw the key's ward and bits reshape itself to fit the keyhole. She inserted the key, picturing in her mind the landscape she had seen while sleeping, unlocked the door, and...
   Bessie found herself looking out onto a barren plain under the colorful sky from her dream. The door she unlocked should have led to an interior room deep within the house, yet here she was, looking at an alien landscape--and the wind blowing from it drove a chill through her body.
   She closed door, certain that she now understood the workings of the silver key and the enchanted doors throughout the house: Whoever turned the key decided where the door went--or maybe caused the door to lead to one of several possible locations, and beings could come and go from that location. She felt she now had an explanation for both the "hauntings" and the mysterious disappearances that had taken place in the house.
   To test her theory, she took the key to an immense, ornately carved set of double doors at the back of the house's study. They sported detailed images of medieval peoples and a village in a forest. She turned the key, expecting to see another landscape, but instead a crowd of angry, torch-carrying men, led by an armored, axe-wielding man, burst through the door even before she had fully opened it. 
   "Tis another witch," the armored man bellowed, pursing her as she scrambled backwards and away from the door. "We have found the path to their lair of deviltry!"


   Fighting off the torch-wielding mob, and dodging wild swings of the armored man's axe, she made it back to the bedroom she was staying in--and the pistol she kept there. She shot the armored man in the chest as he lunged at her one final time--and he dissolved into a spray of colorful sparks and blinked from existence. The torch-wielding mob behind him panicked and fled back the way they came, setting drapes and bookshelves ablaze as they went. Bessie, meanwhile, gathered her things, barely escaping the Carter home as it was consumed by flames.
   Several days later, Bessie returned to the ashy wreckage that had once been a grand house, together with the attorneys for the estate. To her surprise, the ornate wooden doubles door still stood, stained with soot but otherwise untouched by fire, now tightly shut with the silver key still inserted in the lock. She bought it from the lawyers on the spot, and they were happy to not only put the troubles of the cursed house behind them, but to have some additional funds to distribute to the heirs.
   Bessie had the door and the silver key shipped to California where she teamed with psychic Dane Rudhyar to predict where the Silver Key might cause the door to open to. They identified and visited six different locations--both in the past and in the present. Bessie, however, found herself haunted by increasingly disturbing dreams, so she put the Silver Key inside a bag that made magical items inert. (Nicknamed Murphy's Pouch, it was another treasure she picked up during her adventures.) 
   When Bessie permanently relocated to England in 1935, she had the door from the Carter House installed in her home there, seemingly as just an object of art that went from the drawing room to nowhere but onto a solid wall... but if opened with the Silver Key, it was a portal to so much more.

Bessie Love
Bessie Love in 1937, posing by the door saved from the ruined Carter House


*-*-*
The rest of the text in this post is released under the Open Game License, and it may be reproduced in accordance with its terms. Copyright 2020 Steve Miller. 



MURPHY'S POUCH
The history of this item is unknown mostly unknown. Bessie Love recovered it Murphy's Pouch from the disintegrating body of a vampire she'd just defeated, and she named the item after him.
   Murphy's Pouch is to be a small purple felt pouch with gold-colored draw strings. It radiates faint Conjuration magic. If the pouch is opened, the magic radiation become stronger. When someone looks inside the pouch, it appears to be empty. If someone reaches into the pouch, they discover it is much larger than it appears--and the person's and arm can reach deep into an inky darkness that seems to writhe and pulsate at the pouch's bottom. Once the person pulls back, the pouch once again appears normal and empty.
   If a person is brave enough to feel around in the darkness, they will quickly grab one of the items it contains, and if the person knows what they are reach for, that particular item is found just about immediately. While the pouch was in Bessie's possession, she kept the following items in it: A folding knife with a silver blade, a fully loaded Baby Browning pistol, a vail of holy water, a vail of dried wolfsbane, a small gold cruxifix and the Silver Key.
   Using Murphy's Pouch: This item functions like a bag of holding, except it can only contain up to 12 individual items that each are no more than 5 inches in length, take up no more than 5 cubic inches of space, and which each weigh no more 5 pounds. Also, if a sharp object, or some other item, that could damage the integrity of the pouch's extra-dimension space, it vanishes without any effect. Similarly, any items beyond the maximum number of 12 that are inserted into the pouch vanish and cannot be retrieved.
   To retrieve an item from the pouch, the user must visualize it. Otherwise, a random item will be grabbed and retrieved from within the pouch.
   If player characters come into possession of Murphy's Pouch, the GM must make a list with 12 slots, numbered 2 through 12. Each item placed within it is assigned a number, and the GM should roll d26 against the table to see what object is found within if a character isn't seeking something specific. If a number is rolled to which no item is assigned, the next lowest numbered object is retrieved. When items are placed in the bag, the GM can either roll randomly to see where they are placed on the list, or he can merely fill the table in order from lowest to highest. If one item is removed and another is put into the pouch before it is returned, the most recent item takes its number on the table.
   Drawbacks: There are no drawbacks to using Murphy's Pouch, but magic items and artifacts placed within the pouch are treated as if they have ceased to exist. Any ongoing effects the items or artifacts may have been powering end. Once removed from the pouch, the items return to their normal functions.


THE SILVER KEY
The Silver Key was in the possession of a family of wizards who claimed to trace their linage back to ancient Atlantis. They have gone by many names over the millennia, but most recently, they had gone by Carter. Family legends are unclear as to whether the Key was created by a member of the family, or if it had been wrested from the grasp of an Elder God, but it had been a cornerstone of their magical efforts. For a thousand years, the skilled spellcasters and artisans of the family were famed for their explorations of other realities and their ability to build permanent doorways between this universe and others: No dimension was too remote or too alien for them to access. Although many of the extra-dimensional doorways they created could be opened through a variety of means, the Silver Key could also unlock them all.
   The last member of the Carter family to have attempted to understand and master his family's ancient practices, Randolph Carter, vanished without a trace in 1922. According to an elderly servant, he last saw him studying a large silver key, but no trace of it could be found either--until Bessie Love located it in 1933. Randolph Carter's fate remains a mystery.
   The Silver Key is, in truth, an artifact that is as old as the multiverse. It was created by the Outer God Nyarlathotep, as the dimensions were forming, so that he could travel through them easily. The Elder Gods wrested it from him and gave it to a group of their mortal servants, so that they, too, could travel between realities.
   Although the Key occasionally morphs into other shapes, depending on what being is holding it, it usually appears to be a brightly polished, silver skeleton key. It is six inches long and sports a bow roughly the size of a woman's palm, shaped like an odd tangle of arabesque characters. The key wards and bit are sharp and can be used to saw through rope or leather, or inflict shallow cuts on a person that are painful but not life threatening. It radiates a strong aura of Transmutation magic.
   Using the Silver Key: The Silver Key attunes itself to whoever holds it or keeps it on their person for longer than one round. The Silver Key allows its user to unlock gateways to other dimensions, planes of existence, and even other points in time. Such gateways are usually constructed to appear like normal doors, window shutters, or even manhole covers. When the Silver Key is used to open one of these, it instead gives access to far more remote places. (See "Enchanted Doors", below, for details.)
   A person who has been attuned to the Silver Key for six days or more can recognize an enchanted door by sight: The door will appear to glow as if it had been subjected to a detect magic spell. The further away the door takes those who pass through it, the brighter the glow. (An enchanted door that takes someone to the Council Chamber of the Ancient Immortals on Mount Fuji will not glow as bright as the one that can take characters to the City of Ulthar in the Dreamlands.)
   A character's ability to see enchanted doors is lost as soon as his or her attunement to the Silver Key ends. To become unattuned to the Silver Key, the character must either allow another person to hold it for more than a round, or place it in an extra-dimensional container like a bag of holding. The character's attunement to the Key is also lost if he travels to a different plane or dimension than where the key is.
   The Silver Key also opens any door that is secured through magical means, such as wizard lock, or with some form enchanted mechanism. It reshapes itself so that it can be inserted into any lock, and, once turned, the door opens. If the door has no lock, or is locked in a manner that does not feature a traditional keyhole, knocking on it with the Key will cause it to open. The Key has no effect if there is no enchantments securing it.
   The Key may also lets the person who is attuned to it for six days or more know where an Enchanted Door leads before opening it. The GM rolls a secret Wisdom attribute check for the character; if it is successful, the character may gain some insight about the door
   If the door leads to a single time and/or place, the character receives a mental flash of what lies beyond. If the door leads to. The player should roll a successful Wisdom attribute check to clearly understand the image. A failed roll results in a general sense of unease if some hellish place lurks on the other side.
   If the door leads to several possible places and/or times, the character sees a jumble of images in the mental flash. A Wisdom attribute check with a -2
   Drawbacks: For as long as the character is attuned to the Silver Key, he or she will have strange dreams. The first dream is always of a hooded figure who hands the character the Silver Key while issuing the following warning: "This key unlocks doors that may go to many places. The person who turns the key may determine where the doors lead. But beware. Once a door is opened, it becomes a portal that can be entered or exited. And do not pass through a door you have unlocked with the key, lest you are certain that you intend to cross the threshold with your complete body and soul--or you may lose one or both. And be aware: No mortal can pass through the Ultimate Gate intact."
   The dreams of the hooded figure occur every night. Some nights, the dreamer and the figure watch some of the worst moments of the dreamer's life unfold, with the figure saying that the Key could allow the dreamer to go back and change that moment. Other times, they witness horrible events that have yet occurred, with the figure likewise declaring that the Key could let the character stop the event from happening--if it used on the right door. On other nights, the dreams involve strange and nightmarish places and worlds that the dreamer can barely comprehend. As time wears on, the dreams even seem to start to bleed through to the person's waking hours, as he or she will sometimes seem to catch sight of the hooded figure out of the corner of his or her eye, or in distorted reflections on various surfaces, looming over his or shoulder--but the figure isn't there when the character turns to look.
   Every night the character has the Key, the GM should roll on the following table to see what dreams the character has and if his or sleep is restless enough to have an impact on the following day.

1d6      Dream/Effect
1.          A pleasing scene from the past. No effect.
2.          Visit to a strange place. No effect.
3.          Visit from a dead friend or relative with a dire message. 
             -1 to all saving throws and skill checks.
4.          Relive a horrible event from the past. -2 to all
             saving throws and skill checks.
5.          Visit to a strange, horrific realm. The hooded
            offers dire predictions about the future. -4 to all 
            saving throws and skill checks.
6.         Visions of monsters and monstrous people
            committing horrible acts. -4 to all saving throws 
            and skill checks.

For every four days the character owns the Key, +1 is added to the result of the d6 roll. A modified result of 6 or more is treated as a "6". The majority of the dreams should turn out to either be revelations of events that have happened--evil deeds that someone wants to keep hidden--or foretellings to brutality and tragedies that are coming. (The character can either learn of this through direct adventures, or through the news media. Eventually, the character will hopefully understand the he or she can act on the dreams, if he or she can tolerate them.)
   After 24 days of owning the Key, and being sent dreams, the character gains Foresight as a bonus feat.

FORESIGHT [Minor Power]
You have the ability to see a fraction of a second into the future.
   Benefit: You gain a permanent +2 adjustment to all initiative rolls.


ENCHANTED DOORS
Scattered throughout the world are enchanted doors that can be unlocked and passed through by using artifacts like the Silver Key. Some have existed since the time of Atlantis and the gods walked the Earth, others are more recent creations, such as the bulk of the ones in the Carter House.
   Enchanted doors are usually found at the end of blind alleys, corridors in buildings that serve no purpose, or on exterior or interior walls. In such cases, if the doors are opened without the Silver Key (or with whatever means the creator established for accessing the door's enchantment), the door opens onto a solid wall, or, at best, a shallow space or shelves just a few inches deep. If opened with the Key (which can open any enchanted door, always), the space behind the door instead becomes a dimensional portal that can take characters who step through it to other places, times, and even dimensions. Some enchanted doors lead to a single fixed locations, others take those who step through them to a random place.
   Although referred to as "enchanted doors", the enchantments that makes them can be placed on any item that covers an opening that allows beings to enter or exit a location, such as doors, window shutters, or drapes. The only requirement is that they must conceal what is on the other side when they are closed.
   When a character passes through an enchanted door, unless he or she is entering into another structure, there appears to be a free-standing door (or window, or whatever the door's physical component is) that more often than not appears to be surrounded by faintly glowing mist. The door remains open for 1d6+1 minutes, then the magic cuts off. Unless someone who passed through possesses the Silver Key or knows the ritual to open the door, characters are now stranded on the far side of the magical passageway. (Although the door is not visible to regular mortals if there is no physical part to it at a destination point, the bearer of the Silver Key, or a character using the true sight spell or similar abilities, can see a faintly glowing outline of the enchanted door. The Silver Key, or appropriate ritual, can still open it.)


   The physical manifestation of an enchanted door can be destroyed using whatever means destroys a non-enchanted version of the door's physical manifestation. The magic gateway, however, remains, even if it now invisible and mostly inaccessible. A person bearing the Silver Key will be able to see these now formless dimensional apertures as magic auras hovering in the air, or overlaid on walls or floors if a new structure has been built where something else once stood.  He or she can cause these to open with the Silver Key, but otherwise such dislocated magic portals typically remain inaccessible to anyone but gods. (On the days of the Summer Solstice, Winter Solstice, All Hallow's Eve there is a 1% chance every hour of these portals opening at random and letting being pass back and forth for 1d6 minutes. At the exact moment of a total lunar or solar eclipses, there is also a 1% chance a gateway will open for 1d6 minutes.
   When open, such magical conduits from one place to another can be seen by all beings within a 5-foot radius of it, even those who cannot normally see. A frameless enchanted door appears like a brightly glowing streak of light on the same plane and of roughly the same size as the mundane portal it was once tied to. There is no way of telling where a disconnected enchanted door leads for anyone but a god or the owner of the Silver Key. Those stranded on the far side of a randomly opening enchanted doorway are stuck there until it opens randomly again, they find another way back to where they started from, or the Silver Key is used.

Using Enchanted Doors
We recommend that the GM should always have an adventure purpose and a destination for where an enchanted door can take characters. Nonetheless, for those who like to run adventures off-the-cuff, or who might need a little help in deciding the nature of an enchanted door, we offer this random table to determine where one might lead.

2d6     Nature of Enchanted Door
2         Passage to a demonic plane
3         Passage to an alien planet
4         Passage to the Dreamlands
5         Passage to a Home of an Elder God
6         Passage to the Past, same location
7         Passage to the Past, different location
8         Passage to the Future, same location
9         Passage to the Future, different location
10       Passage to the Home of a Great Old One
11       Passage to the Past, on an alien planet
12       Passage to 4d6 different places and times

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If you feel like this post is ending suddenly, you're right. It's not so much that this idea is fully explored, so much as this post is getting really long. Maybe what we need to do is create an actual product... perhaps it could be called "Bessie Love and the House of Doors"? Is that something anyone would liked to see?


Meanwhile, you can click here to read more about The Secret Life of Bessie Love, as well as get more ideas and magic items for use in your d20 System games!

 

Wednesday, August 12, 2020

The House of Pho

For your modern-day campaign, set in a world where magic exists but might not be commonplace, we offer The House of Pho, a place run by a remarkable chef who prepares even more remarkable bowls of Pho. This material should be useful for almost any variation of D&D, AD&D, and d20 System games.



THE HOUSE OF PHO
By Steve Miller

At the end of an alley in the seedier part of Little Hanoi is the House of Pho. It's one of the city's best kept secrets--a place where you can not only get some of the best Vietnamese food you've ever had at the most reasonable prices you've ever paid, but where the Pho can, literally, be magical. 


Owned and operated by Ahn-Bao, a thin Vietnamese man who was reportedly old when he arrived in the city following the communist take-over of Vietnam in the 1970s, opens at 11am (every day but Monday and Christmas Day) and closes promptly at Midnight. A full selection of Vietnamese dishes are available from the menu, as well as made-to-order dishes if diners are looking for something particularly exotic. As the name implies, however, the specialty of the House is their delicious Pho.

What sets Ahn-Bao's Pho apart from what others serve is the secret combination of herbs and spices he uses in the broth. It adds a unique taste, but, more importantly, those who consume the Pho often find themselves feeling more capable than normal. (Otherwise, the Pho can be prepared with whatever meats and vegetables the diner wishes).


PHO MAGIC
Ahn-Bao is one of the Witchkind and his Pho is made with herbs that only grow on the plane where these magical beings have their primary homes. Although Ahn-Bao follows a strict recipe, the inherent chaotic nature of the ingredients makes the benefit of the Pho unpredictable. The Pho must also be   consumed within ten minutes of being served or it loses all magic potential. (It can still be taken home and reheated and taste just as wonderful.)
   Whenever characters sit down enjoy a bowl of Ahn-Bao's Pho, roll against the following table to see what benefits they enjoy, aside form simply getting a reasonably priced, extremely tasty meal.

1d12       Pho Magic  
1             No Major Effect (See below for details.)
2-3          Go Pho (See below for details.)
4-5          Mo Pho (See below for details.)
6-7          No Pho (See below for details.)
8-9          Pro Pho (See below for details.)
10-11      So Pho (see below for details.)
12           No Major Effect (See below for details.)

No Major Effect: Spend at least 1d3+3 minutes consuming this bowl of tasty soup. DAMN! That was good! Your mood is improved, and you gain a +1 bonus to all Charisma-based skill checks. 

Go Pho: Spend at least 1d3+3 minutes consuming this bowl of tasty soup. For the next four hours, gain a +1 bonus to all initiative rolls and a 25% increase to the character's base movement rate. 

Mo Pho: Spend at least 1d3+3 minutes consuming this bowl of tasty soup. For four hours, add an additional 1d6 points to successful damage-dealing melee attacks.

No Pho: Spend at least 1d3+3 minutes consuming this bowl of tasty soup. For the next hour, gain a +1 bonus to all saving throws and skill checks made to avoid damage from attacks. 

Pro Pho: Spend at least 1d3+3 minutes consuming this bowl of tasty soup. For the next four hours, gain a +2 bonus to checks for Knowledge-based skills in which the character has at least 2 ranks, as well as checks for Perform skills in which the character has at least 2 ranks.

So Pho: Ahn-Bao must be having an off day. Spend at least 1d3+3 minutes consuming this bowl of mediocre soup. For the next four hours, you are so irritated at the disappointing meal that you suffer a -1 penalty to all Charisma-based skill checks, but gain a +1 bonus on unarmed and melee attack and  damage rolls. 


ADVENTURES IN PHO
Here are a few adventure seeds revolving around the House of Pho.

* A friend of one of the player characters was last seen entering the House of Pho but has since vanished. The mysterious owner of the eatery tells the party that their friend left through the back entrance with known gangsters. He tells the party where he think the friend might have been taken. (The gangsters are cultists who intend to sacrifice their friend to their dread god.

* The local authorities are convinced that some new sort of illicit drug is being distributed via the House of Pho. The player characters are either assigned, recruited, or pressured into investigating. All Ahn-Bao is doing is good great meals... even if he's getting some of the ingredients from other dimensions.

* The party is hired to steal Ahn-Bao's recipe book. They are told that it is kept in a locked room at the back of the House of Pho. Once they gain access to the room, they find themselves in Ahn-Bao's home on another plane. Here, they can either make a powerful enemy or a powerful friend... and they may be recruited to turn the tables on their original employer, who, like Ahn-Bao, is one of the Witchkind. They two have been competing to be the greatest living chefs for several centuries.

* A vampire attacks the House of Pho, injuring Ahn-Bao. The party is asked to venture to another dimension to harvest herbs to both heal Ahn-Bao, as well as ensure that the Pho continues to flow.

--
If you enjoyed this post, consider getting some of our actual products--it will encourage us to make more. A great place to start is Secrets of the Witchkind!





Thursday, August 6, 2020

Trouble is a Friend of Mine: A Theme Song for PCs & GMs

He's there in the dark
He's there in my heart
He waits in the wings
He's gotta play a part
Trouble is a friend
Yeah trouble is a friend of mine
 
"Trouble is a Friend" is the perfect theme song for the PC/GM relationship. It may have first been released in 2008 (performed by Australian pop singer Lenka) and it may have been featured in some 2010 teen comedy film, but we here at NUELOW Games just discovered it. 

And, as stated above, the lyrics summarize the place a Game Master holds in the existence of player characters perfectly. The various videos for the song even capture it to some degree as well. 

First, here's the original version (with  a fan-made video). If the song is new to you, we're sure you'll agree with our take. And if it's not... well, we're sure you'll reevaluate the song in the light of our interpretation. (If you DON'T agree... well, that's what the comments section is for!)



The song was recently covered by The Cog is Dead. It's a nice version that brings to the forefront the darkness that permeates the deceptively fluffy sounding original version. (This was actually how we became aware of the tune, being fans of The Cog is Dead.)


Lenka even revisited her own song with an acoustic version, which is up next. There's no video clip with this one, but give it a listen. Close your eyes. Picture your favorite PC, enjoying a quiet day engaged with favorite pastime... and then a new campaign arc begins...



And we're going to close this round of "Trouble is a Friend of Mine" (The PCs & DMs Theme) with a highly unusual version. We think this may be the version you'd use for games run by L.L. Hundal--fun, but often more than just a little odd.




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Okay, so here's one more version... a more elaborately produced video and a new recording/remix of the song, presumably for use in whatever that movie it was featured in was. We think Lenka's two earlier versions of the song are superior, but we adore this video because it really seems to bring our seeing "Trouble is a Friend" as the "Theme Song for Player Characters & Game Masters" into perfect focus--especially the bit where Lenka first dances with and then fights with Trouble.