d20 System Feat: Like a Phoenix

Here's a d20 System feat similar to something we may already have done something similar to in Secrets of the Immortals. If we didn't, we probably should have.


LIKE A PHOENIX [General, Minor Power]
When the character dies, he or she is instantly reborn in a blast of fire.
   Prerequisite: Strength 12, Constitution 13, Charisma 12

   Benefit: Whenever the character is reduced to -10 hit points, his or her body explodes, causing 1d10+10 points of fire damage to all living beings within melee range. Any non-magical items carried or won by the character are reduced to smoldering ash, as is the character's body.
   The player of the deceased character should roll initiative for the following round. On the indicated initiative, a swirl of embers and smoke solidifies into the character's body, at full hit points, and cured of any temporary penalties to attributes or levels. The character is completely nude when resurrected in this fashion.

   Special: Whenever the character is recreated from his or her ashes, the character loses a maximum of 500XP (to the minimum needed to retain his or her current level). The character's age is also reduced 1d6+6 years (to the minimum starting age). Additionally, the player must roll a successful Fortitude save (DC18). If the saving throw fails, the character suffers a permanent loss of 1 Constitution point.

   If the character's Constitution is reduced to 11 or lower, this feat no longer provides any benefit.

(All text in this post is presented under the Open Game License, and it may be reproduced in accordance with its terms.)

Puzzini's Elixir of Immortality

This post was inspired by "Forever and Ever" by Steve Ditko, one of four short stories that are included in the forthcoming NUELOW Games comics/RPG-hybrid book "Immortal Tales by Steve Ditko". (Some version of this material will be included in it.)

On May 23, 1568, the Italian alchemist Mario Puzzini sent messengers to his fellow practicioners of the Arts that he had successfully created an elixir of immortality. When his fellow alchemists arrived at his laboratory a few days later, however, they found the place ransacked and Puzzini and his assistant missing. Puzzini was never heard from or seen again, and the heaps of ashes found in the fireplace was believed to all that remained of his notes regarding his many alchemical discoveries--including the secret of immortality.

A few years later, rumors began to arise that the assistant, Georgio, has been spotted in different places throughout Italy and Europe. It was further claimed that he was living proof that Puzzini's immortality formula had worked--or, more specifically, immortal proof that the formula had worked. It also came to be widely believed that Georgio had murdered Puzzini and stolen his secrets and that the ashes in the fireplace was to throw pursuers off his trail. As time passed, rumors became legends, and those legends passed into near-forgotten obscurity... but well-informed alchemists continued to hold out hope that Puzzini's formula could still be found, either due to an immortal being walking the Earth.

The truth is that Georgio did indeed become immortal by drinking Puzzini's elixir. The mixture was flawed, however, and it was Puzzini himself who destroyed his lab and burned the notes and formulas; the aging alchemist was so angered and disappointed by his failure that he quit the art of alchemy on that day. He did, however, let Georgio keep the notebook containing Puzzini's final attempt at creating an immortality elixir, so that he Georgio might have a chance to perfect it, or do undo its effects.

Unfortunately for Georgio, Puzzini's notebook was taken from him by an unscrupulous mystic from whom he sought assistance during the late 1700s and he has no idea what has become of it. But maybe he can cross the paths of a group of heroes who have the skills and motivation to help free him from what he has come to view as a living Hell, and perhaps even succeed where Puzzini failed.


PUZZINI'S ELIXIR IN THE d20 SYSTEM
This section describes how to use Puzzini's Notebook to create his elixir of immortality and what happens to a mortal who consumes it. .

Creating Puzzini's Elixir of Immortality

The method for creating Puzzini's Elixir of Immortality is described in a notebook that consists of 100 pages of parchment bound within plan leather covers. The pages are covered with writing and formulas written with a spidery script. It takes 3d4+2 hours of total time, as well as a successful  (DC14) or Knowledge: Arcane Lore (DC19) skill checks to understand its content and successfully understand the content and thus apply it to the creation of Puzzini's Elixir of Immortality.

   Once the material in the notebook has been mastered, the character must have access to a well-equipped alchemist lab and at least 3 ranks in the Knowledge: Physical Sciences skill or 5 ranks in Knowledge: Arcane in order to actually create a dose of the Elixir. A successful brewing process takes a 12 hours of uninterrupted work and careful monitoring of distillation and the mixing and remixing of the liquids and two successful Knowledge: Physical Sciences (DC18) or Knowledge: Arcane Lore (DC15) skill.

   The nature of the elixir that is created at the end of the process depends on the success or failures of the skill checks.

If both skill checks fail during the brewing process, the resulting elixir has the following effect:

* The consumer must roll a Fortitude save (DC13). If the saving throw fails, the character's Constitution attribute is immediately reduced by 1 point. He or she falls very ill and is sickened for ten days, minus his or her Constitution bonus (adjusted if necessary). The character regains the Constitution point upon recovery from the illness.

If one skill check fails during the brewing process, the resulting elixir has the following effect:

* The consumer immediately becomes 2d10+10 years younger. If the elixir is consumed by a player character, the age cannot be less than the minimum starting age for the character's race, but NPCs can be reduced to infancy. The character's levels Intelligence, Wisdom, and Charisma attributes remain unaffected, but adjustments may have be made to Strength, Dexterity, and Constitution attribute scores if the character has been reduced to young adulthood or even younger. The character ages as normal, just starting from the point to which the clock was turned back.

If no skill checks are failed during the brewing process, the resulting elixir has the following effect:

* The consumer immediately becomes 2d10 years younger. The age cannot be less than the minimum starting age of a player character of the consumer's race.

* The character no longer ages, and is immune to all aging effects, natural and magical.

* The character is immune to all physical harm from any source, including radiation, toxins, and poisons. As soon as he or she is about to take damage, the character immediately becomes insubstantial. He or she remains in this state until the source of the potential physical harm is no longer dealing damage.

* The character is seized with a lack of ambition and is disinterested in improving him- or herself. He or she has a 50% penalty on all earned experience points (round down).

* The character is drained of creative impulses and finds it hard to focus on intellectual matters. He or she has a -6 penalty to all Craft, Knowledge, and Perform skill checks. The character has a -2 penalty to all Bluff, Intimidate, Hide, Search and Spot skill checks.

*The effects of the elixir persist for 10d100+100 years. Once its duration ends, the character begins to age normally and all penalties to experience point gain 

Creating an Antidote to Puzzini's Elixir of Immortality

Creating an Antidote to Puzzini's Elixir of Immortality requires access to a well-equipped alchemy lab, or a well-equipped modern chemistry lab with either access to Puzzini's original formula or a sample of the correctly brewed elixir to analyze. 

   If a character is starting from Puzzini's formula, he or she must first successfully reverse engineer it. This requires 2d6+4 hours of intensive research, as well as a Knowledge: Arcane Lore (DC14, reduced to DC11 if the character has 5 or more ranks in the Knowledge: Physical Sciences skill). If the skill check fails, the character cannot create a successful antidote until gaining an additional rank in the Arcane Lore skill; at that time, he or she can try the skill check again. (However, the character must still spent six hours of uninterrupted work, distilling and mixing liquids in order to create a sweet-tasting but otherwise unremarkable potion.)

   Once a successful formula has been devised, it takes six hours of uninterrupted work, distilling and mixing liquids, as well as two successful Craft: Chemical skill checks (DC12). The end result is one dose that, if consumed within 24 hours of its creation, will end neutralize Puzzini's Elixir of Immortality and all of its effects. The character once again ages normally, can suffer injury and death, and is no longer subject to any skill check or experience point penalties.

--

If there's any interest whatsoever, we can provide some random adventure outline generation tables involving where Puzzini's journal can be found. Just let us know.

Potions for me but not for thee!

Potions (healing, invisibility, flying, and so on) do not all need to be the same. Instead, they can be tailored for specific species/races... and if used by other beings, they can have unexpected side effects. This little article provides some random tables GMs can use to make looted potions more interesting in the game. (It adds a little more bookkeeping and complexity that will need to be kept track of, but if some of the burden is shifted to the PCs--like requiring them to note where particular potions were looted from--it shouldn't be overwhelming.)

WHO IS THE POTION INTENDED FOR? (Roll 1d20)

This is revealed along with the nature of the potion when it is identified via magic or the application of appropriate skills. (The GM should feel free to replace any result with species/races relevant to the campaign.)

1-2. Humans

3-4. Elves

5. Dwarves

6. Halflings

7-8. Gnomes

9.   Tieflings

10. Unidentifiable Alien Creature

11. Half-Elves

12-13. Atlanteans

14-15. Witchkind

16. Goblins

17. Kobolds

18. Ogres

19. Dragonborn

20. Amazons

WHAT IS THE SIDE EFFECT? (Roll 1d20)

This is discovered when a character not of the correct species/race drinks the potion. It is in addition to the potion's regular function, unless otherwise noted under the result. If the generated result doesn't seem to apply in any way to the basic effect of the potion, there are no side effects from consumption.

1.    No side effect.

2.    The potion's effect is delayed for 1d4+1 rounds.

3.    The potion's effectiveness/duration is doubled.

4.    The character enjoys a Damage Reduction of 1 against all sources.

5.    The character is healed of all injuries.

6.    The character is healed of all injuries and gains 10 temporary hit points.

7.    The character's eyes are like bottomless pools of darkness for 24 hours.

       The character has lowlight vision for that time.

8.    The character gains a +2 bonus to all saving throws for 24 hours.

9.    The character gains a +2 bonus to all skill checks for 24 hours.

10.  The character becomes 2d20 years (2d20x10 for long-lived beings) 

        younger. Only physical age is impacted and the character retains all 

        levels and learned skills. The character cannot become younger than 

        infancy. The age reversal is permanent unless reversed by a wish spell 

       or the direct intervention of a god or some other powerful being.

11.  The potions effectiveness and/or duration is halved.

12.  The character suffers a -2 penalty to all skill checks for 24 hours.

13.  The character suffers a -2 penalty to all saving throws for 24 hours

14.  The character's skin starts to burn if he or she ventures into the sunlight 

       for 24 hours. He or she suffers 1d6+2 points of damage for each round 

       of exposure.

15.  The character's STR and CON attributes are reduced by 2 for 24 hours.

16.  The character's eyes glow with a brilliant green light for 24 hours, 

       even through his or her eyelids..

17.  All of the character's hair falls out. It will regrow naturally, or can be 

       restored by a wish spell or the direct intervention of a god or some 

       other powerful being.

18.  The character and all items carried at the time of consuming the potion 

        become insubstantial for 24 hours. The character appears normal, 

        but he or she can move through walls, cannot pick up any items etc. 

        and can only be harmed by magic and magic weapons.

19.   The character's INT and WIS attributes are reduced by 2 for 24 hours.

20.   No side effect.

(All text in this post is released under the Open Game License and may be reproduced in accordance with its terms. Copyright 2021 Steve Miller.)

Three Lost Artifacts of the Amazons

This post is part of a series of posts for d20 System games. Click here for background on and character creation rules for the Amazons.

The Amazons have dwelled in extra-dimensional cities scattered across Earth for more than 10,000 years. During that time, a number of powerful artifacts left behind by the Olympians for their use have gone missing, either due to disaster, theft, or mistakes. The Amazons are eager to recover these items and store them safely in the temples they maintain in honor of the Olympians. This post describes three of them.

CRONUS' SICKLE

Amazonian legend holds that Cronus' Scythe is the last example of a weapon created to fight the Time Eaters. These monsters fed upon the very fabric of time itself and if the ancient Olympians hadn't hunted them to extinction, the Universe would have unraveled and all life doomed. 

    Cronus' Sickle was brought to Earth by the leader of the first Olympian expedition to Earth, just in case they encountered a Time Eater. It remained part of the Olympians arsenal on Earth for millenia, and when they withdrew, they left it with the Amazons in case a Time Eater should threaten them in the future.

   There were at one time thousands of these weapons, but they reportedly crumble to rusty flakes when they deal a deathblow to a Time Eater. Legend has it that there was one such scythe for every Time Eater that was known to exist No one knows if there's any truth to this, but the Amazons believe it is the last of such weapons that remains in existence.

   Cronus' Sickle went missing in November of 1944 when the Amazons were temporarily forced to abandon one of their settlements in Germany after it was discovered by Nazis.

   Cronus' Sickle has a 14-inch, curved, highly polished steel blade mounted on a 10-inch handle made of lacquered hard wood. 

Powers of Cronus' Sickle

The following are the attributes of this magical artifact.

Standard Powers: Cronus' Sickle is a +3 melee weapon that deals base 1d6 slashing damage. It is a light weapon that belongs to the Simple Weapons Proficiency group.

   When a target (that isn't a Time Eater) is struck by Chronus' Sickle for the first time in a combat, it must roll a Will Save (DC18) or be subjected to the effects of a slow spell as cast by a 20th-level caster. Each following successful strike prompts a Fortitude Save (DC12) that, if not successful, causes the target to suffer double damage, as a surge of temporal energy flows through the target and into the weapon, taking with it some of their very life force. (Immortals, Witchkind, and characters with the Fast Healing feat have a +2 bonus to the Will save.)

   If a Time Eater is struck by Cronus' Sickle, it and the Sickle are destroyed instantaneously, the Time Eater bursting into hundreds of bright specks of light that disperse in the area as they blink out of existence, while the Sickle crumbles to flakes of rust and sawdust. The wielder must roll a Fortitude Save (DC18) or be struck by a temporal energy backlash that either ages or makes the wielder younger him or her, or makes him or her younger. See the table below.

1d12 Result    Number of Years Age Changes

1                     1d6+10 years younger

2-5                  2d4+10 years younger

6                     1d4+8 years younger

7                     1d4+8 years older               

8-11                2d4+10 years older

12                   2d10+10 years older

Amazon-Specific Powers: Amazons gain a +4 bonus to resist the temporal energy backlash when destroying a Time Eater with Cronus' Sickle.

TALARA, THE WINGED SANDALS

The Talara (also known as the "Winged Sandals") is a pair of golden sandals that feature ankle straps wiith stylized, ornamental wings. They were created by an Aeromancer named Hermes who died during the final battles between Atlantis and Olympus. They were briefly in the possession of the Amazons during the Olympian evacuation of Earth, but they were lost during the chaos.

   There have been rumored sightings of Talara over the millennia, and they have usually been associated with mysterious disappearances or deaths.

Powers of the Talara

The following are the attributes of this magical artifact.

   Standard Powers: When a user finishes securing the straps around his or her ankles, he or she immediately feels almost weightless. The character is actually floating a fraction of a millimeter above the surface upon which he or she is standing or walking, and this provides a +8 bonus to Move Silently skill checks for as long as the sandals are properly fastened and worn. Additionally, the sandals provide the effects of a pass without trace spell (no saving throw) as if cast at a 20th-level effectiveness.

  If the character says "Talara" while the wearing the winged sandals with the straps secured, he or she is subjected to the effect of a fly spell (no saving throw) as if cast by a 20th-level caster. The character immediately shoots upward at maximum speed, slamming against the celling if indoors (which causes the spell effect to end, whether the character lives or dies from the sudden impact). If outside, the character continues to ascend at maximum speed until the spell duration ends, or until the character takes control by focusing his or her will (successful Will save, DC21). An attempt to control the sandals can be made each round, and once the character has control of the magic, it is as if he or she is subject to a normal fly spell. If the character is airborne when the spell's duration ends, he or she will plummet to the ground.

   Once the pass without trace and/or fly spell effects have run their duration, they cannot be invoked again until the next sunrise and the sandals are exposed to sunlight.

   Amazon-Specific Powers: Amazons need to roll a successful Will save of only DC11 to control the fly effect created by the Talara. This is in addition to, and a modification of, the benefits enjoyed by non-Amazons.

TEROTOS, THE WINGED HELMET

Terotos (also known as the Winged Helmet) is a simple, bowl-shaped helmet that is adorned with a pair of stylized wings. It is made from a silvery metal that never tarnishes. It was created by an Aeromancer named Hermes who died during the final battles between Atlantis and Olympus. It came into the possession of a line of Amazons during the Olympian evacuation of Earth, but was lost nearly 2,000 years ago when a group of Amazons on an expedition to the outside world were killed during the volcanic eruption of Mt. Vesuvius that destroyed Pompeii. Its current location is completely unknown, and any believed sightings have turned out to be false.

Powers of the Terotos

The following are attributes of this magical artifact.

   Standard Powers: The wearer of the Winged Helmet enjoys a +4 bonus to all Search and Spot skill checks. The wearer also enjoys the benefit of a find traps spell once per day, automatically spotting the closest trap within line-of-sight and 120 feet.

   If the character says "Terotos" while wearing the Winged Helmet, he or she is subjected to the effects of a haste spell as if cast at a 20th-level effectiveness. Once the haste effect has run its duration, it cannot be invoked again until the next sunrise and the helmet is exposed to sunlight.

   Amazon-Specific Powers: Amazons enjoy a +8 to all Search and Spot checks. The Amazon also enjoys the benefit of a find traps spell, at a 20th-level effectiveness. It can be used three times per day, and is invoked at will. The number of find traps spells available resets every sunrise and if the helmet is exposed to sunlight.

TALARA AND TEROTOS WORN TOGETHER

In addition to the benefits and effects described above, when worn together the Talara and Terotos bestow the following benefits:

   *When the word "Talara" is uttered, the wearer is subject to a normal fly spell, in complete control from the beginning and without the sudden upward launch.

   * The pass without trace remains in constant effect while the items are worn, unless ended through a powerful-enough dispel magic or an anti-magic field.

   * +4 bonus to saving throws to resist all electricity-based spells, as well as those based in the elements of air and water.

--

All text in this post is released under the Open Game License and may be reproduced in accordance with its terms. 

OGL Cuties: Character Creation Rules and Class

You've heard of the Netflix sensation and gift to the world's pedophiles! Maybe you've even seen it! Now, here are character creation rules inspired by it. Make Cuties! Sing and dance and twerk! Beat the living hell out of pedos! (Well, maybe or maybe not. Hopefully, you will find this post contains some interesting and fun rules, even if its creation was sparked by a truly terrible movie.)

OGL CUTIES

By Steve Miller

(with some stuff borrowed from L.L. Hundal)

OGL Cuties uses the d20 System rules and it can be applied to any variant of that game. The Cuties character class is designed with the OGL Modern rules-set in mind, but it is easily adaptable to other variants. 

   The rules here allow for the creation of child characters who have been thrust into the world of adults much earlier than most. They may not be the equal of their adult counterparts, but they have skills and abilities that set them apart from their peers--depending on the campaign, these can. (Uses for this material is to create characters who are students at an arts academy or sidekicks to superheroes. Or the campaign can focus on 11-year-old twerkers. But we like the other suggestions better, especially the superhero sidekick one. That way, the Cuties can "graduate" to the Super Hero character class.)

   All text in this post is released under the Open Game License, and may be reproduced in accordance with its terms.

CHARACTER GENERATION

The basic process for character generation is familiar to experienced d20 System players. The range of character ages are from 8 to 14, while attributes range from a minimum of 6 and a maximum of 16. Additionally, the only character class available is the Cuties Class. This class only has four levels, and characters must multi-class as they "grow up" and move on from being child performers to being adults. (Cuties characters start out "weaker" than most player characters, but they emerge into adult world stronger through their experiences.)

The Steps

1. Determine Your Character's Age.

    Roll 2d4+6. The result is your character's age in years.

2. Determine Your Character's Attributes

    Roll 2d6+4 six times. once each for Strength, Dexterity, Constitution, Intelligence, Wisdom, and Charisma, assigning individual results to whichever ability you wish.

3. Choose a Race.

    We are assuming Cuties are Human, but any player character race that's allowed in the campaign could conceivably be used with GM permission. (Some adjustment to Step #1 may be required, however.)

4. Select Starting Occupation (if used in rules-set)

    Cuties are limited to a choice of the following Staring Occupations: Celebrity, Creative, or Student. The age requirements are disregarded.

4. Select Starting Skills and Allocate Skill Ranks. 

   (See the Cuties class description for class skills.)

5. Select Starting Feats. 

    All Cuties have the Simple Weapons feat. Cuties also have two additional starting feats, at least one of which must be from the Cuties bonus feats list. (See the Cuties class description for details.)

6. Record Starting Hit Points

    All Cuties have at least 6 hit points when they are created at 1st level. This number may be increased by starting feats and the Constitution bonus.

7. Apply 1st-level benefits from the Cutie class (including selecting the 1st level talent).

8. Finishing Touches.

    Jot down some notes about your character's appearance, personality, likes and dislikes, family and home-life, and so on. GMs can also consider using this optional system to randomly generate the character's race.

    

THE CUTIE CLASS

Cuties are children who work in the entertainment business as performers, be they acrobats, actresses, actors, or dancers. They are destined for greatness, either onstage or offstage, bringing joy to the world and possibly fighting evils in the world.

The Cutie

Restriction: This class can only be selected at 1st level, and only as part of the Cutie character generation process.

Key Ability: Charisma or Dexterity.

Hit Die: 1d6

Action Points: Cuties gain a number of action points equal to 5 + one-half their character level, rounded down, at 1st level and every time they attain a new level in this class.

Class Skills: A Cutie's class skills (and the key ability for each skill) are: Balance (Dex), Climb (Str), Computer Use (Int), Escape Artist (Dex), Handle Animal (Wis), Hide (Dex), Jump (Strength), Move Silently (Dex), Perform (all, pick individual groupings separately) (Cha), Ride (Dex), Sense Motive (Wis), Speak Language (none), and Tumble (Dex).

Also, the starting occupation the character selects can provide additional class skills to choose from.

Skill Points at 1st Level: (6 + Int modifier) x2.

Skill Points at Each Additional Level: 4 + Int modifier.

Table 1: The Cutie
Class Level	Base Attack Bonus	Fort Save	Ref Save	Will Save	Class Features	Defense Bonus	Reputation Bonus
1st	+0	+1	+1	+0	Talent	+1	+0
2nd	+0	+1	+2	+1	Bonus feat	+1	+1
3rd	+1	+2	+2	+2	Bonus  ability points	+2	+1
4th	+1	+2	+2	+3	Bonus skill points	+2	+2

Cutie Class Features

The following are the class features of the Cutie class.

   Talent: At lst level, the Cutie gains a talent from one of the following trees. The character must meet all prerequisites before selecting the talent.

   Command Animal, Increased Speed (see the Fast Hero class), Insightful (see the Dedicated Hero class), Magical Transformation, Too Dumb To Die,

   Starting and Bonus Feats for Cuties: During character creation, the Cutie selects at least one feat from the following list. At 2nd level, the Cutie gains an addition feat from this list. The character must meet all prerequisites before selecting the feat.

Acrobatics, Alterness, Animal Affinity, Athletic, Attentive,  … But Don't Fall Down, Baby Roll, Bad Idea, Calm Animals, Creative, Dancing Queen, Feets Don't Fail Me Now!, Finger Gun, Fast Healing, Ghost Spotter, Lucky, Nimble, Run, Stealthy, Weaponized Smirk 

   Bonus Ability Points: At 3rd level, the Cutie gains four ability points that must be immediately assigned to any of the six abilities. No more than three points may be assigned to a single ability, and no ability may be raised above 18 using these points.

   Bonus Skill Points: At 4th level, the character gains a total number of bonus skill points equal to (6 + Int modifier)x2. These skill points must be allocated to skills immediately. They can be used on skills to which points have already be assigned, or to acquire new skills. Level restrictions apply.

CUTIES 4th LEVEL AND BEYOND

As should be obvious, Cuties will need to multi-class in order to keep progressing. Standard classes that build more effectively on the Cutie class are the Charismatic Hero, Dedicated Hero, and Fast Hero from OGL Modern, or other classes that draw on Dexterity- and Charisma-based abilities, such as Bards and Rogues. (And, as mentioned above, Cuties can serve as a lead-in to a superhero campaign, as the characters graduate from being Bucky, Wonder Girl, and Robin to being Captain America, Wonder Woman, and Batman when they adopt the Super Hero character class.)

Bessie Love and the Silver Key (for d20 System and D&D compatible games)

Film historians and lovers of silent movies remember Bessie Love as a petite and radiant star who lit up the screen every time she appeared. However, she led a secret life that few ever knew about, and even fewer could ever imagine. 

   For 25 years, from 1925 until 1950, Bessie Love traveled throughout the world, battling all manner of supernatural evil, from worshipers of the Elder Gods through vampire cults and even a few demon-possessed would-be arch mages. She performed her heroics under the code-name Love Bug, and she typically wore a set of artifacts that gave her an edge in her battles, but sometimes she relied on her charm, wit, and unfailing courage to carry her through... and a pair of large sunglasses and a wide-brimmed hat to hid her identity. (Click here to read about how Bessie Love became the Love Bug.)

In this post, we unveil Bessie's involvement with strange happenings that were famously fictionalized in short stories by H.P. Lovecraft and E. Hoffmann Price. (As always, we translate this material for use in d20 System games, our own way of fictionalizing the fantastic.)

BESSIE LOVE AND THE SILVER KEY

By late 1932, Bessie Love had all but abandoned her acting career and had thrown herself completely into the battle against supernatural evils. She spent a few weeks in March of 1933 doing nothing but pouring through notes and a diary that had belonged to an evil sorcerer she had defeated, and she found repeated references to a house on the outskirts of Boston, Mass. that was either haunted or the location of magical gateways to other worlds. 

   The papers chronicled Archmage Alain Cartier, who fled from France to America during the 1690s and changed their name to Carter. Over the past two hundred years, the sprawling Carter family home and estate had been the sight of many strange events, which the sorcerer attributed to residual effects from summoning performed by the Carters, or to full-fledged gateways to other dimensions and the realms of Elder Gods. Within the past ten years, the most recent heir to the family fortune, Randolph Carter, had mysteriously vanished in 1922; people residing in the house had likewise vanished or suffered mental breakdowns, including associates of the sorcerer who had gone to investigate the house; and a reading of Randolph Carter's will in 1927 had been violently interrupted by some thing.

   After reaching out to the lawyers managing Carter's estate under an alias, Bessie traveled to Boston, spent a few nights in the house, and searched it using Dimond's Compass, an artifact she had acquired during a previous adventure that points toward the most powerful magical item or source in the general vicinity. When she first started using it in the structure, she thought either the entire manse was magical or the device was not working properly. She soon realized that several of the home's doors were enchanted, and with that awareness, she was able to locate a powerful magical artifact in the master bedroom--a key that had fallen behind a set of dresser drawers in the master bedroom.

  The key was a silver skeleton key that was six inches long, with a bow nearly the size of Bessie's palm that was shaped like an oddly tangled arabesque design. Resolving to start researching how this key might connect to the magic in the house, Bessie intended to spend one more night in the Carter House. As she slept, she had a strangely vivid dream. In it, she was on a windswept cliff, gazing down upon a sprawling city of domed palaces and twisting spires. Overhead was a sky that swirled with ever-changing, vibrant colors. A robed and hooded figure stood next to her, nothing but inky shadows within the hood where his face should be, and he held the silver key she had found in his gloved left hand. He handed her the key, stating that it would unlock portals that opened to other times and dimensions, and warned her that just as she could pass through to those other places, so could the beings dwelling there come through to our realm.

   When she woke up that morning, Bessie felt certain that her dream had been caused by her finding the silver key. She took it to one of the magical doors in the house and saw the key's ward and bits reshape itself to fit the keyhole. She inserted the key, picturing in her mind the landscape she had seen while sleeping, unlocked the door, and...

   Bessie found herself looking out onto a barren plain under the colorful sky from her dream. The door she unlocked should have led to an interior room deep within the house, yet here she was, looking at an alien landscape--and the wind blowing from it drove a chill through her body.

   She closed door, certain that she now understood the workings of the silver key and the enchanted doors throughout the house: Whoever turned the key decided where the door went--or maybe caused the door to lead to one of several possible locations, and beings could come and go from that location. She felt she now had an explanation for both the "hauntings" and the mysterious disappearances that had taken place in the house.

   To test her theory, she took the key to an immense, ornately carved set of double doors at the back of the house's study. They sported detailed images of medieval peoples and a village in a forest. She turned the key, expecting to see another landscape, but instead a crowd of angry, torch-carrying men, led by an armored, axe-wielding man, burst through the door even before she had fully opened it. 

   "Tis another witch," the armored man bellowed, pursing her as she scrambled backwards and away from the door. "We have found the path to their lair of deviltry!"

   Fighting off the torch-wielding mob, and dodging wild swings of the armored man's axe, she made it back to the bedroom she was staying in--and the pistol she kept there. She shot the armored man in the chest as he lunged at her one final time--and he dissolved into a spray of colorful sparks and blinked from existence. The torch-wielding mob behind him panicked and fled back the way they came, setting drapes and bookshelves ablaze as they went. Bessie, meanwhile, gathered her things, barely escaping the Carter home as it was consumed by flames.

   Several days later, Bessie returned to the ashy wreckage that had once been a grand house, together with the attorneys for the estate. To her surprise, the ornate wooden doubles door still stood, stained with soot but otherwise untouched by fire, now tightly shut with the silver key still inserted in the lock. She bought it from the lawyers on the spot, and they were happy to not only put the troubles of the cursed house behind them, but to have some additional funds to distribute to the heirs.

   Bessie had the door and the silver key shipped to California where she teamed with psychic Dane Rudhyar to predict where the Silver Key might cause the door to open to. They identified and visited six different locations--both in the past and in the present. Bessie, however, found herself haunted by increasingly disturbing dreams, so she put the Silver Key inside a bag that made magical items inert. (Nicknamed Murphy's Pouch, it was another treasure she picked up during her adventures.) 

   When Bessie permanently relocated to England in 1935, she had the door from the Carter House installed in her home there, seemingly as just an object of art that went from the drawing room to nowhere but onto a solid wall... but if opened with the Silver Key, it was a portal to so much more.

Bessie Love in 1937, posing by the door saved from the ruined Carter House

*-*-*

The rest of the text in this post is released under the Open Game License, and it may be reproduced in accordance with its terms. Copyright 2020 Steve Miller. 

MURPHY'S POUCH

The history of this item is unknown mostly unknown. Bessie Love recovered it Murphy's Pouch from the disintegrating body of a vampire she'd just defeated, and she named the item after him.

   Murphy's Pouch is to be a small purple felt pouch with gold-colored draw strings. It radiates faint Conjuration magic. If the pouch is opened, the magic radiation become stronger. When someone looks inside the pouch, it appears to be empty. If someone reaches into the pouch, they discover it is much larger than it appears--and the person's and arm can reach deep into an inky darkness that seems to writhe and pulsate at the pouch's bottom. Once the person pulls back, the pouch once again appears normal and empty.

   If a person is brave enough to feel around in the darkness, they will quickly grab one of the items it contains, and if the person knows what they are reach for, that particular item is found just about immediately. While the pouch was in Bessie's possession, she kept the following items in it: A folding knife with a silver blade, a fully loaded Baby Browning pistol, a vail of holy water, a vail of dried wolfsbane, a small gold cruxifix and the Silver Key.

   Using Murphy's Pouch: This item functions like a bag of holding, except it can only contain up to 12 individual items that each are no more than 5 inches in length, take up no more than 5 cubic inches of space, and which each weigh no more 5 pounds. Also, if a sharp object, or some other item, that could damage the integrity of the pouch's extra-dimension space, it vanishes without any effect. Similarly, any items beyond the maximum number of 12 that are inserted into the pouch vanish and cannot be retrieved.
   To retrieve an item from the pouch, the user must visualize it. Otherwise, a random item will be grabbed and retrieved from within the pouch.

   If player characters come into possession of Murphy's Pouch, the GM must make a list with 12 slots, numbered 2 through 12. Each item placed within it is assigned a number, and the GM should roll d26 against the table to see what object is found within if a character isn't seeking something specific. If a number is rolled to which no item is assigned, the next lowest numbered object is retrieved. When items are placed in the bag, the GM can either roll randomly to see where they are placed on the list, or he can merely fill the table in order from lowest to highest. If one item is removed and another is put into the pouch before it is returned, the most recent item takes its number on the table.

   Drawbacks: There are no drawbacks to using Murphy's Pouch, but magic items and artifacts placed within the pouch are treated as if they have ceased to exist. Any ongoing effects the items or artifacts may have been powering end. Once removed from the pouch, the items return to their normal functions.

THE SILVER KEY

The Silver Key was in the possession of a family of wizards who claimed to trace their linage back to ancient Atlantis. They have gone by many names over the millennia, but most recently, they had gone by Carter. Family legends are unclear as to whether the Key was created by a member of the family, or if it had been wrested from the grasp of an Elder God, but it had been a cornerstone of their magical efforts. For a thousand years, the skilled spellcasters and artisans of the family were famed for their explorations of other realities and their ability to build permanent doorways between this universe and others: No dimension was too remote or too alien for them to access. Although many of the extra-dimensional doorways they created could be opened through a variety of means, the Silver Key could also unlock them all.

   The last member of the Carter family to have attempted to understand and master his family's ancient practices, Randolph Carter, vanished without a trace in 1922. According to an elderly servant, he last saw him studying a large silver key, but no trace of it could be found either--until Bessie Love located it in 1933. Randolph Carter's fate remains a mystery.

   The Silver Key is, in truth, an artifact that is as old as the multiverse. It was created by the Outer God Nyarlathotep, as the dimensions were forming, so that he could travel through them easily. The Elder Gods wrested it from him and gave it to a group of their mortal servants, so that they, too, could travel between realities.

   Although the Key occasionally morphs into other shapes, depending on what being is holding it, it usually appears to be a brightly polished, silver skeleton key. It is six inches long and sports a bow roughly the size of a woman's palm, shaped like an odd tangle of arabesque characters. The key wards and bit are sharp and can be used to saw through rope or leather, or inflict shallow cuts on a person that are painful but not life threatening. It radiates a strong aura of Transmutation magic.

   Using the Silver Key: The Silver Key attunes itself to whoever holds it or keeps it on their person for longer than one round. The Silver Key allows its user to unlock gateways to other dimensions, planes of existence, and even other points in time. Such gateways are usually constructed to appear like normal doors, window shutters, or even manhole covers. When the Silver Key is used to open one of these, it instead gives access to far more remote places. (See "Enchanted Doors", below, for details.)

   A person who has been attuned to the Silver Key for six days or more can recognize an enchanted door by sight: The door will appear to glow as if it had been subjected to a detect magic spell. The further away the door takes those who pass through it, the brighter the glow. (An enchanted door that takes someone to the Council Chamber of the Ancient Immortals on Mount Fuji will not glow as bright as the one that can take characters to the City of Ulthar in the Dreamlands.)

   A character's ability to see enchanted doors is lost as soon as his or her attunement to the Silver Key ends. To become unattuned to the Silver Key, the character must either allow another person to hold it for more than a round, or place it in an extra-dimensional container like a bag of holding. The character's attunement to the Key is also lost if he travels to a different plane or dimension than where the key is.

   The Silver Key also opens any door that is secured through magical means, such as wizard lock, or with some form enchanted mechanism. It reshapes itself so that it can be inserted into any lock, and, once turned, the door opens. If the door has no lock, or is locked in a manner that does not feature a traditional keyhole, knocking on it with the Key will cause it to open. The Key has no effect if there is no enchantments securing it.

   The Key may also lets the person who is attuned to it for six days or more know where an Enchanted Door leads before opening it. The GM rolls a secret Wisdom attribute check for the character; if it is successful, the character may gain some insight about the door. 

   If the door leads to a single time and/or place, the character receives a mental flash of what lies beyond. If the door leads to. The player should roll a successful Wisdom attribute check to clearly understand the image. A failed roll results in a general sense of unease if some hellish place lurks on the other side.

   If the door leads to several possible places and/or times, the character sees a jumble of images in the mental flash. A Wisdom attribute check with a -2

   Drawbacks: For as long as the character is attuned to the Silver Key, he or she will have strange dreams. The first dream is always of a hooded figure who hands the character the Silver Key while issuing the following warning: "This key unlocks doors that may go to many places. The person who turns the key may determine where the doors lead. But beware. Once a door is opened, it becomes a portal that can be entered or exited. And do not pass through a door you have unlocked with the key, lest you are certain that you intend to cross the threshold with your complete body and soul--or you may lose one or both. And be aware: No mortal can pass through the Ultimate Gate intact."

   The dreams of the hooded figure occur every night. Some nights, the dreamer and the figure watch some of the worst moments of the dreamer's life unfold, with the figure saying that the Key could allow the dreamer to go back and change that moment. Other times, they witness horrible events that have yet occurred, with the figure likewise declaring that the Key could let the character stop the event from happening--if it used on the right door. On other nights, the dreams involve strange and nightmarish places and worlds that the dreamer can barely comprehend. As time wears on, the dreams even seem to start to bleed through to the person's waking hours, as he or she will sometimes seem to catch sight of the hooded figure out of the corner of his or her eye, or in distorted reflections on various surfaces, looming over his or shoulder--but the figure isn't there when the character turns to look.

   Every night the character has the Key, the GM should roll on the following table to see what dreams the character has and if his or sleep is restless enough to have an impact on the following day.

1d6      Dream/Effect

1.          A pleasing scene from the past. No effect.

2.          Visit to a strange place. No effect.

3.          Visit from a dead friend or relative with a dire message. 

             -1 to all saving throws and skill checks.

4.          Relive a horrible event from the past. -2 to all
             saving throws and skill checks.

5.          Visit to a strange, horrific realm. The hooded

            offers dire predictions about the future. -4 to all 

            saving throws and skill checks.

6.         Visions of monsters and monstrous people

            committing horrible acts. -4 to all saving throws 

            and skill checks.

For every four days the character owns the Key, +1 is added to the result of the d6 roll. A modified result of 6 or more is treated as a "6". The majority of the dreams should turn out to either be revelations of events that have happened--evil deeds that someone wants to keep hidden--or foretellings to brutality and tragedies that are coming. (The character can either learn of this through direct adventures, or through the news media. Eventually, the character will hopefully understand the he or she can act on the dreams, if he or she can tolerate them.)

   After 24 days of owning the Key, and being sent dreams, the character gains Foresight as a bonus feat.

FORESIGHT [Minor Power]
You have the ability to see a fraction of a second into the future.
   Benefit: You gain a permanent +2 adjustment to all initiative rolls.

ENCHANTED DOORS

Scattered throughout the world are enchanted doors that can be unlocked and passed through by using artifacts like the Silver Key. Some have existed since the time of Atlantis and the gods walked the Earth, others are more recent creations, such as the bulk of the ones in the Carter House.

   Enchanted doors are usually found at the end of blind alleys, corridors in buildings that serve no purpose, or on exterior or interior walls. In such cases, if the doors are opened without the Silver Key (or with whatever means the creator established for accessing the door's enchantment), the door opens onto a solid wall, or, at best, a shallow space or shelves just a few inches deep. If opened with the Key (which can open any enchanted door, always), the space behind the door instead becomes a dimensional portal that can take characters who step through it to other places, times, and even dimensions. Some enchanted doors lead to a single fixed locations, others take those who step through them to a random place.
   Although referred to as "enchanted doors", the enchantments that makes them can be placed on any item that covers an opening that allows beings to enter or exit a location, such as doors, window shutters, or drapes. The only requirement is that they must conceal what is on the other side when they are closed.

   When a character passes through an enchanted door, unless he or she is entering into another structure, there appears to be a free-standing door (or window, or whatever the door's physical component is) that more often than not appears to be surrounded by faintly glowing mist. The door remains open for 1d6+1 minutes, then the magic cuts off. Unless someone who passed through possesses the Silver Key or knows the ritual to open the door, characters are now stranded on the far side of the magical passageway. (Although the door is not visible to regular mortals if there is no physical part to it at a destination point, the bearer of the Silver Key, or a character using the true sight spell or similar abilities, can see a faintly glowing outline of the enchanted door. The Silver Key, or appropriate ritual, can still open it.)

   The physical manifestation of an enchanted door can be destroyed using whatever means destroys a non-enchanted version of the door's physical manifestation. The magic gateway, however, remains, even if it now invisible and mostly inaccessible. A person bearing the Silver Key will be able to see these now formless dimensional apertures as magic auras hovering in the air, or overlaid on walls or floors if a new structure has been built where something else once stood.  He or she can cause these to open with the Silver Key, but otherwise such dislocated magic portals typically remain inaccessible to anyone but gods. (On the days of the Summer Solstice, Winter Solstice, All Hallow's Eve there is a 1% chance every hour of these portals opening at random and letting being pass back and forth for 1d6 minutes. At the exact moment of a total lunar or solar eclipses, there is also a 1% chance a gateway will open for 1d6 minutes.

   When open, such magical conduits from one place to another can be seen by all beings within a 5-foot radius of it, even those who cannot normally see. A frameless enchanted door appears like a brightly glowing streak of light on the same plane and of roughly the same size as the mundane portal it was once tied to. There is no way of telling where a disconnected enchanted door leads for anyone but a god or the owner of the Silver Key. Those stranded on the far side of a randomly opening enchanted doorway are stuck there until it opens randomly again, they find another way back to where they started from, or the Silver Key is used.

Using Enchanted Doors
We recommend that the GM should always have an adventure purpose and a destination for where an enchanted door can take characters. Nonetheless, for those who like to run adventures off-the-cuff, or who might need a little help in deciding the nature of an enchanted door, we offer this random table to determine where one might lead.

2d6     Nature of Enchanted Door

2         Passage to a demonic plane

3         Passage to an alien planet

4         Passage to the Dreamlands

5         Passage to a Home of an Elder God

6         Passage to the Past, same location

7         Passage to the Past, different location

8         Passage to the Future, same location

9         Passage to the Future, different location

10       Passage to the Home of a Great Old One

11       Passage to the Past, on an alien planet

12       Passage to 4d6 different places and times

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If you feel like this post is ending suddenly, you're right. It's not so much that this idea is fully explored, so much as this post is getting really long. Maybe what we need to do is create an actual product... perhaps it could be called "Bessie Love and the House of Doors"? Is that something anyone would liked to see?

Meanwhile, you can click here to read more about The Secret Life of Bessie Love, as well as get more ideas and magic items for use in your d20 System games!

 

From The Love Collection

In the early 1920s, Bessie Love was one of America's most popular movie stars, known for playing charming and energetic young women in everything from bizarre comedies to dark dramas. By 1925, however, her life became increasingly consumed with a secret battle against supernatural evil. (You can read the background details here.)

   Love acquired a number of magical artifacts during the 25 years she protected the unsuspecting world from darkness, which experts in the field of the occult and supernatural have dubbed the Love Collection. Today, we describe another two artifacts from the Love Collection. As is our habit, we also provide d20 System rules so you can use them in your games.

DIMOND'S COMPASS

Named for Edward Dimond, an American sorcerer and investigator of crimes who lived in 17th century Mass., at first glance this appears to be a malfunctioning compass with a magnetic needle that jerks from pointing in one direction to another without cause, which seems to point anywhere but North, and may even start spinning wildly without warning. It is rendered even more useless by the fact that what can be assumed to be the cardinal compass points are marked with curious symbols that are dissimilar to any earthly civilization, current or extinct. It radiates a faint aura of Divination magic.

   Although it bears his name, Dimond did not know where the compass came from. It was given to him as payment, when, as a young man, he proved a ships' captain innocent of murder by uncovering evidence that proved the merchant accusing him was the true killer. The seaman claimed he had found the compass in a ruined city, on an uncharted island that he had never been able to find his way back to since. Dimond carried it on his person from that day forward, as he believed it was imbued with a spirit of justice and that God had meant for him to have it and to guide him on his quests for truth. 

   Dimond's Compass passed through many hands before coming into the possession of Bessie Love; it was gifted to her, as it had been to Dimond, by a young werewolf whom she had proven innocent of murder in 1928 by exposing the witch who had been using magic to control him. All who have owned it have stated that it has either shown the way to great treasures, stores of lost knowledge, or evidence that exposes villains set on harming the innocent. 

   The fact is that Dimond's Compass can do all things those who have possessed it claim it can. It was created by Lemurian artificers, in the Time Before Time when the dark gods and their servants wrecked havoc across many planes.

   Using Dimond's Compass: A being must hold the compass in his or her left hand. It performs one of three functions related to directed the user to finding items, magical or mundane. All the would-be user has to do is hold the compass and focus his or her mind for one round one what he or she is seeking. The compass remains set by "default" on whatever it was last used for. It has a range of 3,200 feet, and if the object sought is not within range, the compass jerks between several directions, spins wildly for a moment, then stops. The compass cannot find items that are inside extra-dimensional spaces like a bag of holding. There is no limit to the number of times a character can try to use the compass to find the direction to an item. 

   The functions of Dimond's Compass are as follows:

   * Detect Magic: The compass points to the object or being with the most powerful magic aura or abilities within range that is closest to its current location. If there are multiple objects or beings within range, it prioritizes the closest item or being. (For example, the compass will point to a 3rd-level spellcaster over a 1st-level spellcaster; a +2 sword over a +1 sword; an artifact like the Silver Key over a +4 dagger, even if the dagger may seem more powerful if subjected to an analyze or detect magic spell; and a succubus over a 13th-level spellcaster. But if a man carrying a +1 amulet of protection is standing across the room, and a demonlord is across the street carrying the Sword of Dimensional Sundering, the compass will indicate the +1 amulet of protection.)  

   * Find Magic Portal: The compass points to the nearest magic portal within range. For the purpose of Dimond's Compass, a "magic portal" is a permanent gateway between one location and another, whether the remote location is 12 miles or 12 realities away. Such portals can appear to be doorways, pools of water, wells--anything that someone might pass through or dive into and emerge from.

   The compass locks onto the closest portal first, followed by the most powerful, so the indicated direction my change if the user is in an area where several portals are close together. (For example, the compass will prioritize a portal that takes those who pass through it to Valhalla over a portal that goes to Vermont if they are an equal instance from the user; but it will indicate a portal that goes to a place in the Dreamlands over a portal that can go to anyone of 100 locations depending on the will of whoever steps through it if the portal to the Dreamlands is closer.)

   The compass does not reveal any objects or command words that are needed to open a portal, or to control where it leads to if it has various destinations.

   * Locate Object: The user visualizes a general item or a a specific object that he or she is familiar with, has been described to him or her, or was an important part of an event with which the user is familiar, through personal experience or detailed witness accounts. The compass points unerringly in the direction of the nearest general item sought, or the location of the specific object. If the user is standing exactly above or below the item's location, the compass needle twitches, swings to the opposite cardinal point, twitches again, then swings back to the original direction. If the item moves out of the range of the compass, the needle begins spinning wildly, but it will indicate the correct direction again once the item is within range.

   Note: There is an overlap between the detect magic and find magic portal functions. The compass will detect a magic portal as a magic item if one is located nearby while it is trying to find magic items. Bessie Love never realized that Dimond's Compass could not distinguish between the two, as it's a weakness that rarely becomes a factor.

ASHER'S PEDESTAL

This artifact comes in two parts--a square pedestal made of lacquered oak and African blackwood that stands roughly four feet, and a two-foot-tall alabaster statuette of a handsome woman in ancient Egyptian garb and striking a twisted dance pose. Both the pedestal and statuette exude a strong Art Deco ascetic. 

   Asher's Pedestal was created by sculptor-turned-wouldbe-movie mogul Grayson Asher. He came to Hollywood in 1920 and began making movies featuring elaborate sets and costumes. Although not an attractive man, he was known for always having a starlet on each arm. He also had an uncanny ability for turning rivals and outright enemies into friends with surprising ease. The secret to his charm could be found in the pedestal and the alabaster statuettes he would display on it in his office at Asher Film Company.

   Asher's initial effort to get established in the film business was not as successful as he wanted--he had money, and skill as an artist, but he lacked charm, so he could not convince top talent to work for him. One night, the demon Orias appeared to Asher and showed him how he could have all the most talented men and women at his beck and call, as well as at his feet. In exchange for Asher's soul, he showed the demon showed him how to create and enchant Asher's Pedestal and the statuettes that function with it.

   The top of the pedestal contains a well-hidden secret compartment that is two square inches in size. The statuette also has a secret compartment, the opening to which is under the bottom of its base. When certain items belonging to a person are hidden respectively in the pedestal and in the statuette, and the statuette is placed on the pedestal, the person to whom the items belonged falls becomes infatuated with the person who hid the items. This infatuation can be developed into full-blown love and undying loyalty with even the smallest kindness or hint of returned affection. Even if the statuette is later removed from the pedestal, the person remains under the magical influence until the item tied to him or her are removed from the statuette and pedestal or the statuette is destroyed. The affection the enchanted victim felt gradually fades.

   It is possible to have multiple people under the sway of Asher's Pedestal. The pedestal's compartment can be packed full of small items, but each victim enchanted by the artifact must be represented by a statuette.

   In 1926, Asher tried to get Bessie Love to star in a big-budget, costume comedy set in Ancient Egypt. He wanted Bessie to play Cleopatra. The offer and the role both seemed attractive to Bessie, but as she looked into Asher and his personal life (as had become her habit since taking up her fight against supernatual menaces), she became suspicious: too many actors and crew associated with Asher's productions had either killed or tried to kill each other, or had suffered mental breakdowns. Her investigations let her to a chance confrontation with Asher in his office--as Dimond's Compass pointed her to the Pedestal and the dozen statuettes on display in his office--while he was meeting with the demon Orias. During the ensuing battle, most of Asher's statuettes were shattered and Asher himself killed. Orias claimed his soul as he lay dying, and Bessie rebuffed the demon's offer to pick up where Asher left off. She took Asher's Pedestal and the statuette that had been prepared to dominate her, and she added them to her collection of occult trophies and souvenirs. 

   Using Asher's Pedestal: Asher's Pedestal is used to subject targets to a permanent effect identical to the charm person or charm monster spell. The user must spend at least 10 minutes within 10 feet of the target, and manage to obtain a small object that they have carried on or close to their body for at least six hours at a time, as well as some of their hair, a nail-clipping, or some bodily fluid. The user must then create a statuette that represents the target. This statuette need not be a literal representation of the target, nor particularly skillfully made, but it must represent how its maker views the target on some level. It must be made with a compartment that can contain the hair or other part of the target, or the piece of the target can be incorporated directly into the statuette.

   The small item belonging to a target must be placed in the secret compartment in the Pedestal, and the statuette containing the actual part of the target's physical body must be put on top of the Pedestal. The magic is then activated, and the target must roll a successful saving throw (Will save DC28, magic resistance does not apply but any saving throw bonuses do). The saving throw must be re-rolled every day at sunset where the Pedestal is located until the character either fails it, or the statuette is removed from the Pedestal or is destroyed. Once the saving throw is failed, the target is subjected to a charm person or charm monster spell (whichever is appropriate for the target).

   The effects of the Pedestal remain permanent until the item belonging to the target is removed form the Pedestal or the statuette, the statuette is destroyed or moved more than 100 feet from the Pedestal. The target is freed from the enchantment and the feelings toward the user will gradually fade. If the removed statuette is once again put on the Pedestal, the target must once again make successful saving throws or come under the item's sway again.

   To locate the secret compartment in the Pedestal, searchers must make a successful DC18 Search skill check, or DC28 Spot skill check to notice the covering and figure out how to open it.)

   Drawbacks to Using the Pedestal: If a victim is kept ensorcelled for three months and/or at the point the third victim is put under a user's sway, Orias appears (in his favorite human form as a very handsome and fit black man) and informs the user that he must either release the target or allow Orias to corrupt them to serve his wishes. He promises the user that no harm will come to the victim--other than their soul may damned forever. If the user refuses, all enchantments immediately end and anyone who was under the sway of the Pedestal comes to hate the user deeply and with near-fanatical intensity.

   Destroying the Pedestal: No special requirements are needed to destroy this artifact.

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If you enjoyed this post, you can encourage us to create more like it by giving us feedback in the comments section. And if you REALLY enjoyed it, you should consider getting some of the booklets we've released through NUELOW Games. It will encourage us to make more! One smart choice would For a Song and a Dance--which spotlights more of Bessie Love's trophies, among other things.)

The Amulet of Leng (for the d20 System)

Scattered across the world, are many artifacts that are legacies of ancients gods who ruled over long-dead civilizations in bygone eras; or that have been carried here from other dimensions by the dread beings that dwell in them. One such item, which was stolen from the Dreamlands by the Witchkind, and which many have sought because they either wish to harness its power or to return it from whence it came, is the Amulet of Leng.

THE AMULET OF LENG (for the d20 System)

Carved from a piece of green jade, this circular amulet is roughly four inches across and half an inch thick. It is usually found attached to a leather thong or sturdy silver chain so that it can be worn around a being's neck.

    The front side of the Amulet of Leng features a winged, sphinx-like creature with face that combines both human and wolf-like features; the eyes and forehead human, but the nose and mouth are snout-like and vicious fangs protrude from it. The back of the amulet is engraved with the image of a humanoid skull with an abnormally large cranium. Beneath that image are three symbols that appear vaguely Chinese in origin, but the meaning of which can only be discovered through magic (such as a read languages spell) or a Arcane Lore / Knowledge (Arcane) skill check against a DC22 for each of the three symbols. (From left to right, the symbols mean Time, Immortality, and Annihilation.)

   If examined through means that reveals magical properties of an item (via spell or devices), the Amulet of Leng registers a strong aura of protection and summoning enchantments. Its exact functions cannot be determined through any means short of a wish spell, or by direct communication with a god-like being.

Powers

When claimed and then worn by a sentient being, the Amulet of Leng provides the following protections to the wearer.

   * Immunity to aging, from natural or magical sources

   * Complete immunity to damage from all blunt or edged weapons, as well as missiles and falling damage. (Natural weapons, such as claws and fangs, are not covered by this effect.)

   * 50 percent reduction of damage suffered from spells and other magical sources.

   * 25 percent reduction of damage suffered from natural environmental sources, such as vacuum, extreme heat and extreme cold.

Drawbacks

The Amulet of Leng only bestows its magical protection on characters who have claimed it as their own, either by receiving it as a gift, purchasing it, stealing it for their own use, or looting it for their own use. The protections gained from Amulet of Leng only last for as long as it is worn. Once removed, the wearer once again ages at the normal rate, suffers full damage from attacks, and so on. 

   The great benefits of the Amulet of Leng are outweighed by hidden dangers. They are as follows.

   * Every time the wearer goes to sleep, he or she has dreams of large wolf-like creatures, apparently made partially of flames, roaming an alien landscape dotted with ruined towers. The character feels like the creatures are searching--hunting--for something. As time passes and dreams continue, the character in the dream comes to the realization that they are looking for the Amulet of Leng. The character must roll a successful Fortitude Save (DC15) upon waking, or be fatigued during the day (per the Condition). Spells may be memorized or recovered as normal.
   * The GM keeps a running total of how much damage the character would have suffered if he or she had not been wearing the Amulet of Leng. Once that damage is equals or exceeds an amount that would have killed the character, the character is filled with a sudden, paralyzing fear and cannot take any more actions that round. He or she must roll a successful Will save (DC22), or be set upon by 1d3+1 Hellhounds (with maximum possible hit points)--the Hounds of Tindalos.
   The Hounds emerge from different corners in whatever area the character is in, one at a time in successive rounds until all our present. Each Hellhound rolls initiative on the round it arrives, and attacks the wearer of the Amulet. They only attack other characters if they come to the defense of their target. (If the character is outside, the Hounds emerge from angles made by branches, rocks on the ground, or other natural conditions.)
   If the wearer survives the attack of the Hounds, the Amulet is "reset" and the GM starts a new running total of hit points avoided. The new tally starts at -10, so the character can suffer "free" damage.
   If the wearer does not survive the attack, one of the Hounds tries to grab the Amulet with its fiery jaws and tear it from around the wearer's neck, but as soon as it and other Hounds dissolve into wisps of smoke and seem to evaporate. The Amulet of Leng remains with the mangled corpse.
   * When the character who has claimed and worn the Amulet of Leng takes it off, he or she must roll a Will save (DC18). He or she is filled with a sudden, indescribable dread and hears the sound of wolves howling in the distance. No one else can hear this sound.
   If the saving throw was successful, the character instinctively knows that unless he or she puts the Amulet of Leng back on, certain death is coming. If he or she does not put the Amulet back on within two rounds, 1d3+1 Hounds of Tindalos arrive and attack as described above. If he or she puts the Amulet back on, he or she hears a mournful wolf-howl fading into the distance.
   If the saving throw failed, the character is paralyzed with overwhelming fear for 1d2+1 rounds. Hounds of Tindalos begin to arrive at the end of first round and attack as described above. They continue to arrive, one at a time on successive rounds to a maximum of 8, until the possessor of the Amulet is dead, or until someone has put it on. If the possessor dies without wearing the Amulet, a Hound snatches it up and takes it with it when the Hounds dissolve into smoke and vanish.
   If the possessor of the Amulet of Leng took it off and survives the attack of the Hounds, he or she is free of the Amulet's magic... at least until he or she decides to wear it again.

Safely Removing the Amulet of Leng

A character can only safely remove the Amulet of Leng while submerged in the legendary Pool of All. While submerged, the character must make a Fortitude save (DC22). 

   If the save is successful, the character has a vision of a shadow-draped figure that offers him or her the opportunity to join the ranks of the Immortals or to leave the Pool as he or she entered, but free of the Amulet's magic. Whether the character chooses to be transformed and become an Immortal or not, he or she emerges with the Amulet of Leng in hand and free of its magic. 

   If the save fails, the character is transformed into an Immortal, as per the regular effects of the Pool of All, but is still liberated from the Amulet of Leng.

Destruction

While on this plane, the Amulet of Leng cannot be destroyed. It must be returned to the Dreamlands from whence it was stolen. Once there, it can be shattered with an magical weapon with a +1 or better enchantment.

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The text from the "Powers" heading" through the end of the section labeled "Destruction" is released under the Open Game License. It may be reproduced in accordance with its terms. Copyright 2020 Steve Miller.